Ignorer et passer au contenu
Accueil / Polices / Jeff Levine / Opa-locka JNL
Opa-locka JNL

Opa-locka JNL

par Jeff Levine
Styles individuels à partir de $29.00 USD
Opa-locka JNL Font la famille était conçu par Jeff Levine et publié par Jeff Levine. Opa-locka JNL contient 1 styles.

En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
Démarrer l'essai gratuit

    Réinitialiser

    À propos de la famille Opa-locka JNL Police


    Opa-locka JNL is named for a city in Miami-Dade County, Florida and is based on an Art Nouveau-era bit of hand lettering found on vintage sheet music. Legendary aviation pioneer Glenn Curtiss (who successfully developed the city of Miami Springs and the city of Hialeah with James Bright) began the development of Opa-locka around 1925 as a planned community with a "1001 Arabian Nights" theme. Plans for this exclusive community included a country club and a small private airfield, but the hurricane of 1926 derailed Curtiss' original vision of the city. Opa-locka gradually took shape as a residential area for middle-class families, but the closing of a long-established Marine base, changing demographics and a reputation for being a hot-spot for crime, drug abuse and corruption tarnished this once-grand community (which boasts the largest collection of Moorish Revival architecture in the Western hemisphere). Old-time Miamians bristle when the city's name (an abbreviation of a Seminole place name, spelled Opa-tisha-wocka-locka) is mis-spelled as "Opa-Locka", "Opa Locka" or "Opalocka". The correct name is hyphenated, and the second part is in lower case.

    Concepteurs: Jeff Levine

    Éditeur: Jeff Levine

    Fonderie: Jeff Levine

    Maître d'ouvrage: Jeff Levine

    MyFonts débout: Nov 14, 2014

    Opa-locka JNL

    À propos Jeff Levine

    Jeff Levine has been in love with lettering since the third grade, when a schoolmate brought a lettering stencil into class. He has worked in both the graphics and music industries, and began his work with digital type via his own site, which hosted over one hundred free dingbat fonts until its retirement in 2009. Although these fonts were experimental at best, Jeff received "thank you" letters from points all over the world for making hi...

    En savoir plus