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Parvin
par Naghi Naghachian




À propos de la famille Parvin Police
Parvin is a new creation of Naghi Naghashian. Parvin design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. A modern interpretation of
Naskh
which was invented as calligraphic style by Ebn Moghleh, a Persian savant in ninth century. This script is the most widely used, and its popularity has increased through the centuries. Most recently, it has served as a basis for the typefaces that are in use today. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Parvin's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Parvin was developed for multiple languages and writing conventions. Parvin supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
Concepteurs: Naghi Naghashian
Éditeur: Naghi Naghachian
Fonderie: Naghi Naghachian
Maître d'ouvrage: Naghi Naghachian
MyFonts débout: Aug 29, 2013
À propos Naghi Naghachian
Naghi Naghashian was born in Teheran. After completing his school education in Iran, he studied illustration and book design at the Hochschule fuer Gestaltung (HfG), an academy of design, in Offenbach, Germany. Thereafter he was engaged as art director in various advertising agencies in Germany, Switzerland and England. He also worked as a freelance graphic designer with focus on illustration and brand designing for leading producers of brand articles in Europe, and also for broadcasting stations in Germany and other European countries. He was occupied with theoretical work in the field of color and research in the passive perception of color and after image phenomena. He carried out an analysis of the letters of the Arabic alphabet and a definition of their structure, enabling him to design a number of modern types of Arabic script. Naghi Naghashian created over twenty font families for Latin and Arabic characters. «Illustrated quatrains of Omar Khayyam» in four languages, English, French, German and Persian, «Geometrie als Mysterium» in German and «Design and structure of Arabic script» in English and German are his most recent publications.
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