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Accueil / Polices / Font Bureau / Poynter Old Style
Poynter Old Style

Poynter™ Old Style

par Font Bureau
Styles individuels à partir de $40.00 USD
Famille complète de 15 polices: $510.00 USD
Poynter Old Style Font Poster 1 Poynter Old Style Font Poster 2 Poynter Old Style Font Poster 3 Poynter Old Style Font Poster 4 Poynter Old Style Font Poster 5 Poynter Old Style Font Poster 6 Poynter Old Style Font Poster 7
Poynter Old Style Font la famille était conçu par David Berlow, Tobias Frere-Jones et publié par Font Bureau. Poynter Old Style contient 15 styles et des offres familiales.

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ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir Poynter Old Style et plus de 150 000 polices. Démarrer l'essai gratuit
Démarrer l'essai gratuit

Poynter Old Style Complete Family

 15 polices

Meilleure offre!

Par style :

$34.00 USD

Paquet de 15 styles:

$510.00 USD

Options d'achats
Voir 5 plus Voir moins

Poynter Old Style Display Pack

 12 polices

Par style :

$34.00 USD

Paquet de 12 styles:

$408.00 USD

Options d'achats
Voir 2 plus Voir moins

Poynter Old Style Text Pack

 3 polices

Par style :

$36.00 USD

Paquet de 3 styles:

$108.00 USD

Options d'achats
Ajouter à l'album
Ajouter aux favoris

Options de licence

À propos de la famille Poynter Old Style Police

In the 1670s, Christopher Plantin was the largest publisher of his day. Hendrik van den Keere cut for him an astounding series of romans. As Stanley Morison once observed, such types adopted features of Flemish blackletter to strengthen elegant French romans. Large on the body, strong in color, economical in fit, widely (if anonymously) distributed, they established effective standards for all that followed; FB 1997–2000

Concepteurs: David Berlow, Tobias Frere-Jones

Éditeur: Font Bureau

Fonderie: Font Bureau

Maître d'ouvrage: Font Bureau

MyFonts débout: Feb 2, 2022

Poynter™ Old Style is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions.

À propos Font Bureau

Font Bureau was founded in 1989 by type designer David Berlow and media strategist Roger Black. Headquartered in Boston, MA, the small foundry employs a staff of full-time designers and its library has been contributed to by the likes of Tobias Frere-Jones, Matthew Carter, Jim Parkinson, John Downer, Leslie Cabarga, Cyrus Highsmith, Berlow himself, and others. “In a big way, all the designers whose work is published through Font Bureau are my latest teachers,” Berlow, a recipient of the SoTA Award, says in his Creative Characters interview. “From them I learn how to look at things related to type today from a variety of stylistic and entrepreneurial perspectives.” Throughout the last quarter of a century, Font Bureau has designed custom typefaces for almost every major American publication and has built a retail library that houses some of the most popular fonts on the market such as bestsellers Interstate and Benton Sans. “While font technologies continue to evolve, the core principles and skills required to design high quality, worthwhile typefaces have changed little,” Font Bureau states on their website. “The decisions about what designs to produce and how to craft them draw upon a base of typographic knowledge built firmly on hundreds of years of tradition. This remains the essence of what Font Bureau does.” Berlow’s illustrious career in type design was celebrated when he won the Type Directors Club metal in 2014. “Type designers who lived hundreds and occasionally thousands of years ago are still teaching me, because type design is pretty much infinite,” he says, “and all it takes is a letter you’ve never seen before to incite learning, I think.”The Premium foundry page can be viewed Here.

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