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Accueil / Polices / Magpie Paper Works / Rivea
Rivea

Rivea™

par Magpie Paper Works
Styles individuels à partir de $36.00 USD
Famille complète de 2 polices: $72.00 USD
Rivea Font Poster 1 Rivea Font Poster 2 Rivea Font Poster 3 Rivea Font Poster 4 Rivea Font Poster 5 Rivea Font Poster 6 Rivea Font Poster 7 Rivea Font Poster 8 Rivea Font Poster 9
Rivea Font la famille était conçu par Jessica McCarty et publié par Magpie Paper Works. Rivea contient 2 styles et des offres familiales.

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ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
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Rivea Family

 2 polices

Meilleure offre!

Par style :

$36.00 USD

Paquet de 2 styles:

$72.00 USD

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À propos de la famille Rivea Police

Rivea is two-font, hand-lettered script family designed to mimic real calligraphy. Each font dances along a natural, variable baseline and has a distinctive slant. Long, thin upstrokes contrast with rich downstrokes in a style reminiscent of "wet noodle" pen writing. Each Opentype font includes eight different ampersands, a swash feature that automatically substitutes beginning & end of word letters, a set of alternate letters, old style numerals, arbitrary fractions, six common "word-art" prepositions and six common honorifics. All Opentype features have been duplicated in Stylistic Sets for Microsoft Word users. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new "and".

Concepteurs: Jessica McCarty

Éditeur: Magpie Paper Works

Fonderie: Magpie Paper Works

Maître d'ouvrage: Magpie Paper Works

MyFonts débout: Mar 13, 2015

Rivea™ is a trademark of Magpie Paper Works LLC.

À propos Magpie Paper Works

Nestled in rural North America, you’ll find the farmhouse that’s home to Magpie Paper Works. If the foundry’s owner and sole designer, Jessica McCarty, isn’t tucked inside designing typefaces, she’s more than likely out chicken wrangling and apple picking. Jessica left behind agency life in 2010, opting instead to create her own studio. Her first font, Saissant, a rough, kinetic calligraphy script, was a non-traditional typeface that was almost instantly very popular. “I created Saissant,” she says, “because I was working on a client’s project and needed a font that looked truly handmade and wild, only to discover that there weren’t really any options available at the time. I figured that if I couldn’t find what I was looking for, I should make it instead. The rest was history!” The self-taught designer approaches each project with a strong background in calligraphy and typographic illustration; a toolset that brings a hand-lettered feel to each of her typefaces. This is especially true for Jessica’s best selling font, Ondise: a calligraphy font with robust Opentype features and a warm, fresh and charming vibe. Jess says that she’s seen her fonts used in everything from logos and wedding invitations to West Elm catalogs and even in the movie adaptation of The Great Gatsby. “It’s wonderful to have full creative freedom,” she says, “and I adore collaborating directly with clients to help them get the most out of their font purchases.”

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