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Saltpetre

Saltpetre™

par Magpie Paper Works
Styles individuels à partir de $32.00 USD
Saltpetre Font Poster 1 Saltpetre Font Poster 2 Saltpetre Font Poster 3 Saltpetre Font Poster 4 Saltpetre Font Poster 5
Saltpetre Font la famille était conçu par Jessica McCarty et publié par Magpie Paper Works. Saltpetre contient 1 styles.

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À propos de la famille Saltpetre Police

Inspired by late 18th century type specimens, Saltpetre is a grounded yet rustic typeface. His letters have been hand-inked with antique dip pens and playfully spaced for a charming, irregular look. In addition to a set of 26 upper case letters, the font includes a variety of period graphics, interlocking decorative borders, numerals, punctuation, currency figures and multi-lingual support. Saltpetre is extremely versatile and excels at display, as well as specialized uses such as cartography and historical reproduction.

Concepteurs: Jessica McCarty

Éditeur: Magpie Paper Works

Fonderie: Magpie Paper Works

Maître d'ouvrage: Magpie Paper Works

MyFonts débout: Feb 12, 2012

Saltpetre™ is a trademark of Magpie Paper Works LLC.

À propos Magpie Paper Works

Nestled in rural North America, you’ll find the farmhouse that’s home to Magpie Paper Works. If the foundry’s owner and sole designer, Jessica McCarty, isn’t tucked inside designing typefaces, she’s more than likely out chicken wrangling and apple picking. Jessica left behind agency life in 2010, opting instead to create her own studio. Her first font, Saissant, a rough, kinetic calligraphy script, was a non-traditional typeface that was almost instantly very popular. “I created Saissant,” she says, “because I was working on a client’s project and needed a font that looked truly handmade and wild, only to discover that there weren’t really any options available at the time. I figured that if I couldn’t find what I was looking for, I should make it instead. The rest was history!” The self-taught designer approaches each project with a strong background in calligraphy and typographic illustration; a toolset that brings a hand-lettered feel to each of her typefaces. This is especially true for Jessica’s best selling font, Ondise: a calligraphy font with robust Opentype features and a warm, fresh and charming vibe. Jess says that she’s seen her fonts used in everything from logos and wedding invitations to West Elm catalogs and even in the movie adaptation of The Great Gatsby. “It’s wonderful to have full creative freedom,” she says, “and I adore collaborating directly with clients to help them get the most out of their font purchases.”

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