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1509 Leyden

1509 Leyden

par GLC
Styles individuels à partir de $49.00 USD
Famille complète de 2 polices: $49.00 USD
1509 Leyden Font la famille était conçu par publié par GLC. 1509 Leyden contient 1 styles et des offres familiales.

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1509 Leyden

2 polices

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Par style :

$24.50 USD

Paquet de 2 styles:

$49.00 USD

À propos de la famille 1509 Leyden Police


This script font was inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae [...], author Francesco Filfelo, circa 1509. The original font contains all lower case characters, except w, eth, thorn, lslash, oslash and so... and almost upper case. In addition, one set of small lombardic initials were also nearly complete. It take place instead of the Bold style (in only one package)offering a real and rare complete historical printing set... The original small "a" hight was 2,8 mm !, the upper case hight no more than nearly 5 mm, the initials hight almost 15 mm, covering nearly two lines. This font includes "long s", naturally, as typically medieval and also a few ligatures, but not any variants. We have entirely recreated some characters, upper, lower and initials, to fill gaps. It is used as variously as web-site titles, posters and fliers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, menus, certificates, as a very decorative, elegant and unusual font, besides its historical scrupulous reality... This font supports enlargement as well as small size.

Concepteurs:

Éditeur: GLC

Fonderie: GLC

Maître d'ouvrage: GLC

MyFonts débout: Aug 27, 2008

1509 Leyden

À propos GLC

Gilles Le Corre was born in 1950 in Nantes, France. Painter since the end of 70s, he is also an engraver and calligrapher. He has been learning about medieval art and old books for as long as he can remember. More recently he has made the computer a tool for writing like the quill pen and ink. With it, he aims to make it possible to print books that look just like old ones! Beginning in 2007 he has been trying to reproduce, very exactly, a wide range of historic European typefaces, mainly from medieval and early periods of printing - his favorite period - from 1456 with Gutenberg, up to 1913 with a font inspired by a real old typewriter.

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