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Tinkerer
par Ingrimayne Type![Tinkerer Font Poster 1](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/95711_f6a8862073ec66dff4a697f7d8e842fd.png)
![Tinkerer Font Poster 2](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/304185_d36d4d6df3ec71f28155303cdbd9d01a.png)
![Tinkerer Font Poster 3](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/301752_65b927b708201db5e0dae96e220f0975.png)
![Tinkerer Font Poster 4](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/283398_8cabe98b45ca754cccdc293cceec2b8b.png)
![Tinkerer Font Poster 5](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/284522_e7367b71c422bf70e68bf48f6c727e0f.png)
À propos de la famille Tinkerer Police
Tinkerer, TapeUp, and Rumpled are based on the template I used for several letterbat fonts—fonts made of wrenches and bolts, hammers, or paper clips. TapeUp can be thought of as a font made from masking tape, and Rumpled is the same design but the tape pieces are wavy. Tinkerer is the same design but with elements that resemble what might happen if one constructed letters from Tinker Toys. All are caps only, but some of the shapes on the lower-case keys differ from the corresponding shapes on the upper-case keys.
Concepteurs: Robert Schenk
Éditeur: Ingrimayne Type
Fonderie: Ingrimayne Type
Maître d'ouvrage: Ingrimayne Type
MyFonts débout: May 28, 2004
![](https://cdn.myfonts.net/cdn-cgi/image/width=150,height=150,fit=contain,format=auto/images/pim/10004/L554M3swIK7dqZJW2MVvmhXW_639d6566b8fc5f96adee3a4db201a7c6.png)
À propos Ingrimayne Type
IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.
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