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Accueil / Polices / insigne / Cabrito Sans
Cabrito Sans

Cabrito Sans™

par insigne
Styles individuels à partir de $24.99 USD
Famille complète de 48 polices: $129.99 USD
Cabrito Sans Font Poster 1 Cabrito Sans Font Poster 2 Cabrito Sans Font Poster 3 Cabrito Sans Font Poster 4 Cabrito Sans Font Poster 5 Cabrito Sans Font Poster 6 Cabrito Sans Font Poster 7 Cabrito Sans Font Poster 8 Cabrito Sans Font Poster 9 Cabrito Sans Font Poster 10 Cabrito Sans Font Poster 11 Cabrito Sans Font Poster 12
Cabrito Sans Font la famille était conçu par Jeremy Dooley et publié par insigne. Cabrito Sans contient 48 styles et des offres familiales.

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ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
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Cabrito Sans Complete Family

 48 polices

Meilleure offre!

Par style :

$2.70 USD

Paquet de 48 styles:

$129.99 USD

Options d'achats
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À propos de la famille Cabrito Sans Police

It's time to kick off your shoes and feel the "sans" between your toes. Like

Cabrito Inverto

, its stress-reversing cousin, the new Cabrito Sans serves up something nice and cool in the heat of the project. A quick recap: the original

Cabrito

is an insigne Design slab serif produced for the kid's book The Clothes Letters Wear. It's been pretty well-received--even more than I expected. I promised to grow the family with a free-standing inverted style that could pair well with Cabrito. (See Cabrito Inverto.) Now, I'm rounding out the family with this well-crafted sans. And so now, Sans is where it's at. Strip away the serifs of Cabrito, and you have a laid back, rounded sans serif alternative served up over easy. This handwriting-inspired creation--like its relatives--is definitely not uptight about its forms (though not afraid to show them off a little). Cabrito Sans' whole pack of alternates is accessible in any OpenType-enabled program. This kiddo consists of a workforce of alternates, swashes, and alternate titling caps to give the font a little extra sweetener to its flavor. Also bundled are swash alternates, old style figures, and compact caps. Check out the interactive PDF brochure to test out each these options. This font family members also consists of the glyphs for 72 various languages. Cabrito Inverto and Cabrito do pair nicely with Cabrito Sans (in case you doubted). Use Sans--or all three of these amigos--to express friendliness on just about anything: food, candy, toys, cars (if you're feeling bold). Don't wait, though. Purchase Cabrito Sans today, and bring a one-of-a-kind look to whatever your computer's next design party is.

Concepteurs: Jeremy Dooley

Éditeur: insigne

Fonderie: insigne

Maître d'ouvrage: insigne

MyFonts débout: Apr 29, 2014

Cabrito Sans™ is a trademark of insigne.

À propos insigne

“Type is very much like music,” says Jeremy Dooley. “It is linear, and the notes or phrases have to fit the theme or song.” Jeremy, owner of the one-man foundry, insigne, is a self-taught type designer and a true self-made success story. His label is home to over a hundred font families, many of which have seen great success. Aviano has made our Best of the Year list not just once, but twice and has been featured in Hollywood blockbusters. You may have noticed various iterations of Aviano in Wall Street, Harry Potter, and Thor, and it was used for the branding of Robin Hood. Jeremy considers type to be the foundation of advanced visual communication. One form of communication that the Chattanooga-based designer is drawn to is branding. In 2011, Jeremy, took on the enormous project of coming up with a typeface that would communicate the tone and feeling of his hometown; a font that would effectively brand the city. In 2013, the result, Chatype, was named the official typeface of Chattanooga TN. “Every city needs a brand,” he says, “as every city needs to highlight its own distinctive offerings.” Like many designers, his creations are often the result of his interests. “I especially like seeing my typefaces in movies, on luxury packaging, and for technology companies,” he says. “These are interests of mine, and I often design fonts with those specific applications in mind. It’s very interesting to me that I frequently see fonts used in exactly the way I originally envisioned.” Since he began selling his first font on MyFonts in 2004, the man who will tell anyone who asks, “I’m not really from anywhere,” has continuously drawn inspiration from his many experiences gained from living all over the globe. Want more of Jeremy? The designer sat down with us for an in-depth interview in this issue of Creative Characters.

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