En savoir plus
USD ($)
  • USD ($)
  • GBP (£)
  • EUR (€)
  • AUD ($)
  • JPY (¥)
  • BRL ($)
  • CAD ($)
  • NZD ($)
EN
  • EN - English (UK)
  • DE - Deutsch
  • FR - Français
  • ES - Español
S'abonner
Accueil / Polices / Linotype / Optima
Optima

Optima®

par Linotype
Styles individuels à partir de $45.99 USD
Famille complète de 12 polices: $230.99 USD
Optima Font Poster 1 Optima Font Poster 2 Optima Font Poster 3 Optima Font Poster 4 Optima Font Poster 5
Optima Font la famille était conçu par Hermann Zapf et publié par Linotype. Optima contient 12 styles et des offres familiales.

En savoir plus sur cette famille
ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir Optima et plus de 150 000 polices. Démarrer l'essai gratuit
Démarrer l'essai gratuit

Optima Complete Family Pack

 12 polices

Meilleure offre!

Par style :

$19.24 USD

Paquet de 12 styles:

$230.99 USD

Options d'achats
Voir 2 plus Voir moins
Ajouter à l'album
Ajouter aux favoris

Options de licence

À propos de la famille Optima Police

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™ and Soho®.

Concepteurs: Hermann Zapf

Éditeur: Linotype

Fonderie: Linotype

Maître d'ouvrage: Linotype

MyFonts débout: Apr 10, 2002

Optima® is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

À propos Linotype

For over a century, Linotype has successfully produced, marketed, and licensed quality fonts. Its proven methods have been expanded over the years, adapting to new technologies. As fonts are a vehicle for all visual communication, Linotype partners with both designers and typographers, who together promote global transfer and open discussion.The Linotype font library is owned by Monotype and includes renowned fonts such as Helvetica, Neue Helvetica®, Linotype Didot™, Janson® Text, New Century Schoolbook®, and more.

En savoir plus

Lire moins