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Accueil / Polices / Typefolio / Stevie Sans
Stevie Sans

Stevie Sans™

par Typefolio
Styles individuels à partir de $29.00 USD
Famille complète de 14 polices: $200.00 USD
Stevie Sans Font Poster 1 Stevie Sans Font Poster 2 Stevie Sans Font Poster 3 Stevie Sans Font Poster 4 Stevie Sans Font Poster 5 Stevie Sans Font Poster 6 Stevie Sans Font Poster 7 Stevie Sans Font Poster 8 Stevie Sans Font Poster 9 Stevie Sans Font Poster 10 Stevie Sans Font Poster 11 Stevie Sans Font Poster 12 Stevie Sans Font Poster 13 Stevie Sans Font Poster 14 Stevie Sans Font Poster 15
Stevie Sans Font la famille était conçu par Marconi Lima et publié par Typefolio. Stevie Sans contient 14 styles et des offres familiales.

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ESSAI GRATUIT DE 30 JOURS de Monotype Fonts pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères. Démarrer l'essai gratuit
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Stevie Sans Complete Family

 14 polices

Meilleure offre!

Par style :

$14.28 USD

Paquet de 14 styles:

$200.00 USD

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À propos de la famille Stevie Sans Police

Some years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting. The style eventually settled in my memory waiting for the work of time. Behind its apparent neutrality, there is a complex balance game, that almost leads to the basic principles of design which deliver such power to the grotesque style. Stevie Sans is the answer to the action of time. A bridge that allows the designer to go into the past, while being in the present and looking towards the future. It is what it’s expected from a grotesque designed in the 21st century. With 7 roman styles ranging from thin to black, support to many languages and essential opentype features, Stevie Sans is the ideal choice for your project.

Concepteurs: Marconi Lima

Éditeur: Typefolio

Fonderie: Typefolio

Maître d'ouvrage: Typefolio

MyFonts débout: Mar 24, 2015

Stevie Sans™ is a trademark of Typefolio.

À propos Typefolio

“As far as I can remember I always observed typographic forms with unusual interest,” Marconi Lima, founder of TypeFolio said in his Creative Characters interview. “I was intrigued by their design and their phonetic value. Because I loved books and developed the habit of reading from an early age, I realized that there was more to letters than just the words they spelled out.” Based in Brazil, Marconi began working as a designer in an advertising agency in the mid-1990’s. This job opened his eyes to the crucial role typography plays in communication, as well as the business side of the industry, and it prompted him to begin questioning how type families were made and by whom. “Discovering this parallel universe called typography was very exciting.” His work at the agency required Marconi to draw hundreds of ad layouts, packaging designs and logotypes by hand - offering the young designer insight into what goes into the art of type design. All of this sparked an interest in him to immerse himself in the international type community where he was able to build important relationships and find much-needed resources that would teach him the history and technology behind type. This all culminated in the 2007 release of his first family Adriane Text - which was featured as a Rising Star upon its debut and was later recognized by Tipos Latinos. “Since then,” he says, “my involvement in the type business, and with both the national and the international scene have grown considerably, and I continue to design typefaces. I love to deal with all these aspects on a day-to-day basis.” The release of Madre Script in 2014 marked his transition from life as an art director to that of the head of an independent foundry. “By fully dedicating myself to the foundry I could significantly strengthen its relationship with the design market. This resulted in commissions ranging from the creation of icons and logo refinement to, more recently, the customization of a typeface from the TypeFolio library.” “This is the most rewarding aspect of typeface design: seeing how other people use my fonts. Being an independent type designer grants me the freedom to shift between projects that meet specific demands, and more informal ones. Yet they always have their roots in my personal observations and ideas about typography and design.”

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