“The Adorn family is remarkable because it contains such a robust set of elements,” Joe Newton, who designed this newsletter, says. “The fonts were crafted to mix-and-match, generating complete designs. Everything in the specimens in this newsletter is part of the set (excluding some textures, and the chocolate bar illustration.) It’s a total design system in a single box.”
And he’s spot on: even larger and more multilayered than Worthington’s award-winning Charcuterie, Adorn offers seven display fonts and four script designs plus an array of monograms, ornaments, illustrations, banners, frames, and catchwords.
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