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1565 Venetian
von GLC
Einzelschnitte ab $20.00 USD
![1565 Venetian Font Poster 1](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/20958_a126a784ce88b604eaab57cfd154e1b3.png)
![1565 Venetian Font Poster 2](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10001/168016_3c4942f3357ecb757edba9f0db3942f9.png)
![1565 Venetian Font Poster 3](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10001/168338_6ace8d08889385d85bd343c3dfe1d000.png)
1565 Venetian Font Familie wurde
entworfen von
herausgegeben von
GLC. 1565 Venetian enthält
1
Stile.
Mehr über diese Familie
Über die Schriftfamilie 1565 Venetian
This set of initial decorated letters is an entirely original creation, drawn inspired by Italian renaissance engraver Vespasiano Amphiareo's paterns published in Venice circa 1568. It contains two roman alphabets : the first of large Initials, the second of small caps. Both containing thorn, eth, L & l slash, O & o slash.
It can be used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font...
This font is conceived for enlargements remaining very smart and fine. The original height of the initials is at least about one inch equivalent to about four lines of characters, small caps may have the same height than the caps of the font used with, but cover two lines is better.
This font may be used with all GLC blackletter fonts, but preferably with "1543 Humane Jenson", "1557 Italic", "1742 Civilite", "1776 Independence" without any fear for doing anachronism.
1565 Venetian
![](https://cdn.myfonts.net/cdn-cgi/image/width=150,height=150,fit=contain,format=auto/images/pim/10004/w5DjnVLkXAOtIF5w5NZjrvuo_92e9f77bf23d340127ce3dd26b81c4c1.jpg)
Über GLC
Gilles Le Corre was born in 1950 in Nantes, France. Painter since the end of 70s, he is also an engraver and calligrapher. He has been learning about medieval art and old books for as long as he can remember. More recently he has made the computer a tool for writing like the quill pen and ink. With it, he aims to make it possible to print books that look just like old ones! Beginning in 2007 he has been trying to reproduce, very exactly, a wide range of historic European typefaces, mainly from medieval and early periods of printing - his favorite period - from 1456 with Gutenberg, up to 1913 with a font inspired by a real old typewriter.
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