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Antipol VF

Antipol VF

von phospho
Einzelschnitte ab $87.00 USD
Komplette Familie mit 2 Fonts: $159.00 USD
Antipol VF Font Familie wurde entworfen von Roland Hörmann und herausgegeben von phospho. Antipol VF enthält 2 Stile und Optionen für Familienpakete.

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Antipol VF Complete Family

2 Fonts

Bestes Angebot!

pro Font:

$79.50 USD

Paket mit 2 Fonts:

$159.00 USD

Über die Schriftfamilie Antipol VF


With Antipol Variable, the reversed stress font was supplemented with Wide and Extended cuts in the Hairline weight. The ability to stretch single letters extremely wide is an exclusive goodie of the Variable version.


Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive.


Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners. This particular weight is meant for display settings, think full-page magazine titles or posters.


Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity.


Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.



Designer: Roland Hörmann

Herausgeber: phospho

Foundry: phospho

Eigentümer des Designs: phospho

MyFonts Debüt: May 13, 2022

Antipol VF

Über phospho

Located in a central district of Vienna, Austria, Roland Hörmann runs phospho; a studio that specializes in both graphic and type design. “I am always excited about graphic design jobs where I can bring in my lettering skills as a type designer,” Roland says. “My fascination for type undoubtedly came from my father’s Letraset catalogues, which I loved tracing letters in as a kid.” In the early Nineties, long before he had decided to study graphic design, Roland began to dabble in type design and created a handful of experimental pixel fonts on the Commodore 64. It wasn’t until 2007, though, that he made his first serious attempts at type design, and in the following year, he published his first typeface, Adhesive Nr. Seven. Since then, he’s seen great success with standout designs like Luxus Brut, a timeless design that breathes the spirit of hand lettered signage of the 1950’s, and Gloss Drop, a wild, hand-lettered typeface that pulses with the spontaneous vibrancy of brush lettering. Roland works alongside Felix Auer, an associated designer who had a hand in creating phospho’s all-caps, display font Aquus. The secret to Roland Hörmann’s success may be his passion project Stadtschrift: an association for the collection, preservation and documentation of historic façade signs. “We save unique signs from being scrapped and put them on display in the public again. So there is a big love for ancient shop signage and their typefaces, and the inspiration I draw from the heritage of the city makes phospho a heartfelt Viennese foundry.”

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