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Bauen

Bauen

von Tipo Pèpel
Einzelschnitte ab $22.00 USD
Komplette Familie mit 16 Fonts: $138.00 USD
Bauen Font Familie wurde entworfen von Josep Patau Bellart und herausgegeben von Tipo Pèpel. Bauen enthält 16 Stile und Optionen für Familienpakete.

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Über die Schriftfamilie Bauen


Bauen (worker in German) is a tribute to the Bauhaus school that has just completed its first centenary and whose ideas are still relevant. It is a geometric typeface inspired by the sans serif typefaces prevailing in those years, and whose cradle resides in the Bauhaus school. It has a wide language coverage, and a generous range of OpenType functionalities, to make it an all-rounder for our day to day, and especially for corporate use.

Designer: Josep Patau Bellart

Herausgeber: Tipo Pèpel

Foundry: Tipo Pèpel

Eigentümer des Designs: Tipo Pèpel

MyFonts Debüt: Aug 12, 2020

Bauen

Über Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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