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FF Fago Correspondence Sans

FF Fago® Correspondence Sans

von FontFont
Einzelschnitte ab $68.99 USD
Komplette Familie mit 4 Fonts: $209.99 USD
FF Fago Correspondence Sans Font Familie wurde entworfen von Ole Schäfer, Andreas Eigendorf und herausgegeben von FontFont. FF Fago Correspondence Sans enthält 4 Stile und Optionen für Familienpakete.

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    Über die Schriftfamilie FF Fago Correspondence Sans


    German type designer Ole Schäfer created this sans FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as software and gaming. FF Fago Correspondence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Fago super family, which also includes FF Fago, FF Fago Correspondence Serif, and FF Fago Monospaced.

    Designer: Ole Schäfer, Andreas Eigendorf

    Herausgeber: FontFont

    Foundry: FontFont

    Eigentümer des Designs: FontFont

    MyFonts Debüt: Nov 29, 2011

    FF Fago® Correspondence Sans is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

    Über FontFont

    Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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