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FF OCR-F

FF OCR-F®

von FontFont
Einzelschnitte ab $65.99 USD
Komplette Familie mit 3 Fonts: $167.99 USD
FF OCR-F Font Familie wurde entworfen von Albert-Jan Pool und herausgegeben von FontFont. FF OCR-F enthält 3 Stile und Optionen für Familienpakete.

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FF OCR-F Pro Volume

3 Fonts

Bestes Angebot!

pro Font:

$55.99 USD

Paket mit 3 Fonts:

$167.99 USD

Über die Schriftfamilie FF OCR-F


German type designer Albert-Jan Pool created this sans FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for film and tv, small text as well as software and gaming. FF OCR-F provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

Designer: Albert-Jan Pool

Herausgeber: FontFont

Foundry: FontFont

Eigentümer des Designs: FontFont

MyFonts Debüt: Jan 1, 2000

FF OCR-F® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Über FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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