Direkt zum Inhalt
Startseite / Fonts / FontFont / FF Zwo Correspondence
FF Zwo Correspondence

FF Zwo® Correspondence

von FontFont
Einzelschnitte ab $62.99 USD
Komplette Familie mit 4 Fonts: $198.99 USD
FF Zwo Correspondence Font Familie wurde entworfen von Henning Krause, Jörg Hemker und herausgegeben von FontFont. FF Zwo Correspondence enthält 4 Stile und Optionen für Familienpakete.

Mehr über diese Familie
KOSTENLOSE 30 TAGE Testversion von Monotype Fonts, um FF Zwo Correspondence und mehr als 150.000 Fonts zu erhalten. Kostenlose Testversion starten
Kostenlose Testversion starten

Über die Schriftfamilie FF Zwo Correspondence


German type designer Jörg Hemker created this sans FontFont in 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding, small text, software and gaming as well as web and screen design. FF Zwo Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Zwo super family, which also includes FF Zwo.

Designer: Henning Krause, Jörg Hemker

Herausgeber: FontFont

Foundry: FontFont

Original Foundry: FontFont

Eigentümer des Designs: FontFont

MyFonts Debüt: Mar 4, 2012

FF Zwo® Correspondence is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Über FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

Mehr lesen

Weniger lesen