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Abos und Preise

Good Eatin AOE™

von Astigmatic
Einzelschnitte ab $19.95 USD
Die Schriftfamilie Good Eatin AOE wurde von Brian J. Bonislawsky entworfen und von Astigmatic veröffentlicht. Good Eatin AOE enthält 1 Stile.

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Über die Familie

Good Eatin AOE is a cheerful heavyweight display sans serif inspired by the lively title lettering seen in classic mid-century animation. The design draws from the title screen of the 1942 Warner Bros. cartoon Dog Tired, whose playful all-caps lettering carried a relaxed bounce and soft, approachable weight. Good Eatin captures that same warm personality through rounded forms, bold strokes, and an easygoing rhythm that feels energetic without becoming overwhelming. The result is a friendly, highly readable display face that brings the charm of vintage cartoon titling into contemporary design work. Its playful character makes it especially well suited for comic-inspired graphics, children’s publishing, retro advertising, toy packaging, novelty branding, and other projects that benefit from expressive, character-driven typography. While this original version focuses on the core character set and classic display usage, the expanded Good Eatin Pro AOE edition builds upon the design with additional typographic features for greater versatility.

Designer: Brian J. Bonislawsky

Herausgeber: Astigmatic

Foundry: Astigmatic

Eigentümer des Designs: Astigmatic

MyFonts Debüt: Oct 24, 2008

Good Eatin AOE™ is a trademark of Astigmatic.

Über Astigmatic

In 1873, the strange and fantastic story began. Nearly two centuries later, Brian J. Bonislawsky was born, and carrying on a mix of the the footsteps his ancestors before him took, he picked up the the traditions and founded the Astigmatic One Eye Foundry, which later expanded to become the Astigmatic One Eye Typographic Institute. (For more of the background story, see the Historical Perspective link below.) Since its founding Astigmatic has worked with dozens of designers, helping them forge their own foundries as well as helping to increase the quality of type created by Astigmatic and these other foundries. Astigmatic strives to continually increase its range of typographic scope; taking on expeditions to revive old typestyles, unearth long lost typefaces, forge new styles yet unseen, and begin to develop more comprehensive language typestyles of the WGL4 set size which includes Greek and Cyrillic extensions. If you are looking for a wide variety of typographic influence and style, the Astigmatic One Eye Institute is your source for type.

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