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Kleist Fraktur™
von RMU![Kleist Fraktur Font Poster 1](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/300582_ad176e8e924d460284c613946f43fa20.png)
![Kleist Fraktur Font Poster 2](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10001/178813_29b9ca930a73d33b1e9c26bf813c0863.png)
![Kleist Fraktur Font Poster 3](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10001/178812_9318bedc912ab9afcba0ece6a5e520e8.png)
![Kleist Fraktur Font Poster 4](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/312885_9e42fd3547181d72540a13ce7e5724a4.png)
![Kleist Fraktur Font Poster 5](https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10024/QhS2RSWKX2jeXCRMJoGHB5Hc_e057a2147812368ef91a53e1e39d3a82.png)
Über die Schriftfamilie Kleist Fraktur
In the late 1920s Walter Tiemann cut this font for Klingspor Brothers in Offenbach am Main. It comes close to Luthersche Fraktur and, though quite slender, possesses a good gray value and readability. This blackletter font fits excellently into narrow columns. Kleist Fraktur contains a bunch of useful ligatures, and by typing 'N - o - period', marking this combination and activating OT feature Ordinals you get an oldstyle numbersign.
Designer: Walter Tiemann, Ralph M. Unger
Herausgeber: RMU
Foundry: RMU
Original Foundry: Klingspor
Eigentümer des Designs: RMU
MyFonts Debüt: Jun 22, 2010
![](https://cdn.myfonts.net/cdn-cgi/image/width=150,height=150,fit=contain,format=auto/images/pim/10004/IaGcXlxCTony3Te9kUB8Xk8y_cbe59fc063a0f7fbfff3a8d22e4fd80c.png)
Über RMU
RMU is the foundry of Ralph Michael Unger.Founded in 1995, and now located in the city of Schwaebisch Gmuend, state of Baden-Wuerttemberg, my foundry can look back at vast typographic experiences. It started with the composing stick, then turned over to Linotype setting machines in various print shops, and now has reached the computerized creation of fonts.
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