Wählen Sie diesen Lizenztyp, wenn Sie eine app für iOS, Android oder Windows Phone entwickeln und Sie die Datei Font in den Code Ihrer mobilen Anwendung einbetten.
Klik
von Fenotype
Einzelschnitte ab $0.00 USD
Komplette Familie mit 48 Fonts: $249.00 USD
Klik Font Familie wurde
entworfen von
Emil Karl Bertell,
Erik Jarl Bertell,
Teo Tuominen und
herausgegeben von
Fenotype. Klik enthält
48
Stile und Optionen für Familienpakete.
Mehr über diese Familie
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Bestes AngebotFamilienpakete
- Einzelschnitte
- Technische Daten
- Lizenzierung
Klik Regular Complete
16 Fontspro Font:
$9.31 USD
Paket mit 16 Fonts:
$149.00 USD
Klik Narrow Complete
16 Fontspro Font:
$9.31 USD
Paket mit 16 Fonts:
$149.00 USD
Klik Condensed Complete
16 Fontspro Font:
$9.31 USD
Paket mit 16 Fonts:
$149.00 USD
Über die Schriftfamilie Klik
Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. OpenType features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).
Klik comes in three widths – each featuring eight weights and corresponding italics.
Designer: Emil Karl Bertell, Erik Jarl Bertell, Teo Tuominen
Herausgeber: Fenotype
Foundry: Fenotype
Eigentümer des Designs: Fenotype
MyFonts Debüt: Feb 29, 2020
Klik
Über Fenotype
Emil Bertell has done it all. Having published his first font files at 16, he was considered to be an international free-font hero while still in his teens. He went on to attend design college, drop out, and become a well-known graphic designer and illustrator. Now one of the most successful type designers from the Nordic countries on MyFonts, the Finland-based designer said in his Creative Characters interview that he’s “had an obsession with visual culture from the beginning.” Before turning his attention to type design full-time, Emil had a very successful career as an award-winning illustrator. “Illustration became my main livelihood,” he said. “I drew painstaking pencil illustrations for magazines, advertising, stamps, etc. I often designed my own fonts for festivals and hand-drew the lettering posters; I also did a few pencil illustrations based on lettershapes, and that got out of hand, so I had to do a lot more of them.” In 2012 he finally made the switch and committed all of his time to type design. Emil first saw success with his Billboard typeface. “It became my first Rising Star on MyFonts and made me realize that I could actually make a living by designing fonts,” he said. “I realized that there’s actually a market out there that I could become a part of.” Throughout the rest of that year he began to see even more success. It began in January, when his font, Mishka, was featured in our Most Popular Fonts of 2011 list. He went on to find a way to bookend the year and was listed among the Most Popular Fonts of 2012 with his Mercury Script design. Since then, his foundry’s success has continued on with best sellers like Voyage and The Carpenter. Fans of the foundry have a lot to look forward to in the near future. Emil will continue to produce beautiful scripts (some coming soon to MyFonts!) and has plans to expand his business.
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