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Mairy

Mairy

von Typesketchbook
Einzelschnitte ab $39.00 USD
Komplette Familie mit 18 Fonts: $110.00 USD
Mairy Font Familie wurde entworfen von Chatnarong Jingsuphatada und herausgegeben von Typesketchbook. Mairy enthält 18 Stile und Optionen für Familienpakete.

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Über die Schriftfamilie Mairy


Mairy font family is a modern sans serif font family. Featuring 9 separate weights each followed by own true italics Mairy is positioned somewhere between rounded sans with humanist touch. In fact the humanist presence in Mairy is a little bit more than the usual doze adding more calligraphic elements mostly noticeable in italic weights but also very important in regulars. This symbiosis of Grotesk geometry with handwriting is well balanced regarding contrast and legibility so that at the end we have a highly usable font family. Light weights are very tender and elegant while the old and blacks are soft, friendly and full of vitality. The mid weights are just perfect with their medium contrast and excellent legibility. Mairy is very fresh font family and is surprisingly flexible when it comes to screen or print use – it is optimized for both even if the conditions are poor. Use it with OpenType compatible software and explore its true potential by accessing additional set of ligatures, alternates and multilingual support.

Designer: Chatnarong Jingsuphatada

Herausgeber: Typesketchbook

Foundry: Typesketchbook

Eigentümer des Designs: Typesketchbook

MyFonts Debüt: Jan 13, 2015

Mairy

Über Typesketchbook

Located in the capital city of Thailand, Chatnarong Jingsuphatada started his type design career while working as a graphic designer. Throughout his career, whenever he was unable to find exactly what he needed for his own design projects, he began to create new typefaces rather than settle for ones that didn’t quite fit. He experimented with different designs for 2 years before launching his Superstore Font Foundry, and then in 2012, began selling his typefaces on MyFonts. He made his debut that year with Gusto, a font that explores the intersection of san serif and humanist styles. Finding a strength in his ability to combine different styles of fonts into one, he went on to create Quan, which consists of a very usable, clean and modern sans typeface and a more rounded sub-family.

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