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FF Max

FF Max®

von FontFont
Einzelschnitte ab $72.99 USD
Komplette Familie mit 18 Fonts: $902.99 USD
FF Max Font Familie wurde entworfen von Morten Rostgaard Olsen und herausgegeben von FontFont. FF Max enthält 36 Stile und Optionen für Familienpakete.

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    Über die Schriftfamilie FF Max


    Danish type designer Morten Olsen created this sans FontFont between 2003 and 2004. The family has 18 weights, ranging from Extra Light to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Max provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Max super family, which also includes FF Max Demi Serif.

    Designer: Morten Rostgaard Olsen

    Herausgeber: FontFont

    Foundry: FontFont

    Eigentümer des Designs: FontFont

    MyFonts Debüt: Feb 2, 2004

    FF Max® is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

    Über FontFont

    Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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