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Noir™
von Mindburger Studio
Einzelschnitte ab $29.00 USD
Komplette Familie mit 12 Fonts: $279.00 USD
Noir Font Familie wurde
entworfen von
Milos Mitrovic und
herausgegeben von
Mindburger Studio. Noir enthält
24
Stile und Optionen für Familienpakete.
Mehr über diese Familie
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Bestes AngebotFamilienpakete
- Einzelschnitte
- Technische Daten
- Lizenzierung
Noir Pro Family
12 Fontspro Font:
$23.25 USD
Paket mit 12 Fonts:
$279.00 USD
Noir Std Starter Pack
6 Fontspro Font:
$21.50 USD
Paket mit 6 Fonts:
$129.00 USD
Noir Pro Starter Pack
6 Fontspro Font:
$28.16 USD
Paket mit 6 Fonts:
$169.00 USD
Über die Schriftfamilie Noir
Noir is a sans serif font family of 12 fonts with contemporary aesthetics heavily influenced by early 20th century geometric typefaces. While having its geometric structure it carries organic personality with touch of warmth injected to each form.
Noir font family ranges from light and elegant weights perfect for small text, to extremely heavy and masculine weights suited for large display sizes.
Noir has a rich arsenal of Open Type features for highly professional use and extended Latin, Cyrillic and Greek language support.
Noir is delivered as Std and Pro version. Cyrillic and Greek are available in Pro package only.
Designer: Milos Mitrovic
Herausgeber: Mindburger Studio
Foundry: Mindburger Studio
Eigentümer des Designs: Mindburger Studio
MyFonts Debüt: Mar 17, 2016
Noir™
is a trademark of Mindburger Studio.
Über Mindburger Studio
“Everything in Mindburger Studio actually starts as an experiment,” says the company’s founder and primary designer, Milos Mitrovic. Originally located in Serbia, the foundry was started by self-described “typography freaks” late in the year 2011. Since then, Milos has moved himself and his work to Norway and currently runs his company from the city of Bergen. A studio focused on visualization, typography and design, Mindburger made its MyFonts debut with the Bambino family in early 2015. “As we are very into geometric fonts, we made Bambino basically just for internal use on various projects that we were working on,” Milos says. “After a while we realized that it could contain more than two weights and we got more serious about the project and put all of our ideas into the production of the typeface.” Milos, the heart and soul of the foundry, works with several other designers, most prominently, Goran Kamenov. He surrounds himself with an experienced group of graphic designers and art directors, each of which is constantly working on various types of projects. Each of their outside projects over the years reinforced their understanding of just how crucial a part of the visual language type design plays. Looking forward to his company’s bright future, Milos says, “We have engaged all of the engines.” Look out.
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