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FF Signa Serif Stencil

FF Signa™ Serif Stencil

von FontFont
Einzelschnitte ab $62.99 USD
Komplette Familie mit 3 Fonts: $104.99 USD
FF Signa Serif Stencil Font Familie wurde entworfen von Ole Berntsen Søndergaard und herausgegeben von FontFont. FF Signa Serif Stencil enthält 3 Stile und Optionen für Familienpakete.

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Über die Schriftfamilie FF Signa Serif Stencil


Danish type designer Ole Søndergaard created this display FontFont in 2011. The family contains 3 weights: Book, Bold, and Black and is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Signa Serif Stencil provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif, and FF Signa Stencil.

Designer: Ole Berntsen Søndergaard

Herausgeber: FontFont

Foundry: FontFont

Eigentümer des Designs: FontFont

MyFonts Debüt: Nov 30, 2011

FF Signa™ Serif Stencil is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Über FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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