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Startseite / Fonts / Storm Type Foundry / Trivia Grotesk
Trivia Grotesk

Trivia Grotesk

von Storm Type Foundry
Einzelschnitte ab $49.00 USD
Komplette Familie mit 48 Fonts: $258.00 USD
Trivia Grotesk Font Poster 1 Trivia Grotesk Font Poster 2 Trivia Grotesk Font Poster 3 Trivia Grotesk Font Poster 4 Trivia Grotesk Font Poster 5 Trivia Grotesk Font Poster 6 Trivia Grotesk Font Poster 7 Trivia Grotesk Font Poster 8 Trivia Grotesk Font Poster 9 Trivia Grotesk Font Poster 10
Trivia Grotesk Font Familie wurde entworfen von František Štorm und herausgegeben von Storm Type Foundry. Trivia Grotesk enthält 48 Stile und Optionen für Familienpakete.

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Trivia Grotesk Complete

 48 Fonts

Bestes Angebot!

pro Font:

$5.37 USD

Paket mit 48 Fonts:

$258.00 USD

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Über die Schriftfamilie Trivia Grotesk

Another 48-cut family from a typeface system which originally arose from the need to simply explain to some publishers what it is “serif, sans-serif, egyptian”, etc. including their style variations. Over time, the Trivia became quite popular, which was her goal. Now is the opportunity to explain what it is “grotesque.” Grotesque in art is generally synonymous with bizarre, repulsive impropriety, but also surreal abomination exciting an empathic pity. These are qualities that undoubtedly attract the viewer’s attention since the days of Gothic gargoyles, stone gorgons and chimeras. Grotesque font is unlike the cold sans-serif much warmer, more appealing for the title, poster or advertisement, and is usually given in a variety of widths and weights. With our Trivia it shares basic proportions and OpenType features.

Designer: František Štorm

Herausgeber: Storm Type Foundry

Foundry: Storm Type Foundry

Eigentümer des Designs: Storm Type Foundry

MyFonts Debüt: Dec 3, 2012

Trivia Grotesk

Über Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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