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Dragonflight Pro

Dragonflight Pro

von Fontforecast
Einzelschnitte ab $10.00 USD
Komplette Familie mit 4 Fonts: $49.00 USD
Dragonflight Pro Font Familie wurde entworfen von Hanneke Classen und herausgegeben von Fontforecast. Dragonflight Pro enthält 4 Stile und Optionen für Familienpakete.

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    Über die Schriftfamilie Dragonflight Pro


    Dragonflight Pro is a script collection of four modern calligraphy fonts. Each glyph was hand-drawn with a brass folded pen dipped in ink. The tip of the folded pen resembles the shape of a dragonfly’s wing, hence the name. By tilting the pen variations in line width are made. This produces fun, expressive letters with a spontaneous personality. The regular and rough version of Dragonflight Pro have alternate glyphs that can either be accessed by the swashes feature, stylistic set 1, or the glyphs panel, depending on the application you are using. There are lots of discretionary ligatures that offer even more variation. By typing _1 to _10 you can access bonus swashes that are part of Dragonflight Pro Regular and Rough. Both fonts have 567 glyphs. Dragonflight Pro Sans is an all caps font with 402 glyphs, also hand-drawn with the folded pen, that compliments the other styles perfectly. Dragonflight Pro Extra offers an additional 117 swashes, doodles and ink splatters. With Discretionary Ligatures activated you can type an underscore in front of a letter and (when available) this gives you the rough version of the glyph.

    Designer: Hanneke Classen

    Herausgeber: Fontforecast

    Foundry: Fontforecast

    Eigentümer des Designs: Fontforecast

    MyFonts Debüt: Aug 2, 2016

    Dragonflight Pro

    Über Fontforecast

    Hanneke Classen started Fontforecast in 2013 as a label of Storm Creative Consultancy, an advertising agency where she works to this day as a graphic and type designer. “Working with fonts as a designer day in, day out made me curious about the process of designing fonts,” she says. “As soon as I dived into the ins and outs of font design, I was hooked.” It was in that same year that she finished work on her first two font families:

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