Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Allotrope
by Kostic
Individual Styles from $40.00 USD
Complete family of 100 fonts: $500.00 USD
Allotrope Font Family was
designed by
Nikola Kostić and
published by
Kostic. Allotrope contains
100
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Allotrope Wide Family
20 fontsPer Style:
$9.50 USD
Pack of 20 styles:
$190.00 USD
Allotrope Normal Family
20 fontsPer Style:
$9.50 USD
Pack of 20 styles:
$190.00 USD
Allotrope Extra Condensed Family
20 fontsPer Style:
$9.50 USD
Pack of 20 styles:
$190.00 USD
Allotrope Condensed Family
20 fontsPer Style:
$9.50 USD
Pack of 20 styles:
$190.00 USD
Allotrope Compressed Family
20 fontsPer Style:
$9.50 USD
Pack of 20 styles:
$190.00 USD
About Allotrope Font Family
Allotropes are different structural forms of the same element and can exhibit quite different physical properties and chemical behaviors. The change between allotropic forms is triggered by the same forces that affect other structures – pressure, light, and temperature. From Wikipedia the Free Encyclopedia
With ten weights in five widths plus Italics, this family comes to a total of 100 fonts. The large number of styles was made with the intent to cover most cases UI designers have to tackle, with one type family. Stylistic alternates were made to follow the same logic, so there is an optional single-story g, serifed capital I, and dotted zero – all available through the OpenType feature. The character set supports Western and Central European languages, as well as Turkish.
Designers: Nikola Kostić
Publisher: Kostic
Foundry: Kostic
Design Owner: Kostic
MyFonts debut: Feb 14, 2020
Allotrope
About Kostic
Kostić Type Foundry is located in Belgrade, Serbia. It is a small private foundry, run in cooperation between Zoran and Nikola Kostić (father and son). Zoran began making fonts in 1987 out of necessity, since his DTP studio needed PostScript Cyrilic fonts which, at the time, were being made by no one. While designing his first font, he discovered a whole new world whose beauty and complexity wove such a spell over him that he’s under its hold to this very day. He created a number of original typefaces like: Batke, Beograd, KosticSans, KosticSerif, Lapidary Capitals, Sketch, DesignerRound, Why Square (licence by Linotype) and Just Square (licence by Linotype) and about ten others, designed on the basis of Old Church Slavonic scripts (Hilandarski Ustav and Monah with 6,400 characters each). Nikola grew up playing and learning in his father’s DTP studio, where he was surrounded by the amazing world of the late 80’s and early 90’s graphic design, a period when technological breakthroughs opened up new possibilities for everyone in the business. Naturally, he became a graphic designer. He got his master’s degree in graphic design from the Faculty of Applied Arts (University of Arts in Belgrade) in 2002. However, type design was a different story. This peculiar and seemingly uninteresting craft was something he grew to love only when he was in his thirties and years into the business. He had to push himself hard so as to develop the discipline required to master this particular art. By 2016 he has designed more than a dozen typefaces. Among his most well known typeface designs are Breakers, Argumentum and the awarded Chiavettieri. Once mystified by his father’s craft, Nikola is now his proud partner at Kostić Type Foundry.
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