Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Audrey™
by Fenotype
Individual Styles from $15.00 USD
Complete family of 9 fonts: $65.00 USD
Audrey Font Family was
designed by
Emil Karl Bertell and
published by
Fenotype. Audrey contains
9
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Per Style:
$7.22 USD
Pack of 9 styles:
$65.00 USD
Audrey Script Family
3 fontsPer Style:
$16.66 USD
Pack of 3 styles:
$50.00 USD
Audrey Sans Family
3 fontsPer Style:
$8.33 USD
Pack of 3 styles:
$25.00 USD
About Audrey Font Family
Audrey is an elegant monolinear Script and Sans font family. Audrey is great for designing headlines, packaging or as a logotype online or offline.
Audrey has three weights of Script and Sans and a set of Ornaments. The weights go following: Regular is twice and Bold is three times as wide as Thin so if you want to have an Ornament example with same stroke width as Script you can set the Script in 36pt Regular and Ornament 72pt Thin -and they’ll have exactly the same width.
Audrey Script is packed with OpenTtype features: Keep Standard Ligatures on for smooth connections and try Swash, Stylistic or Titling Alternas for more showier letters or seek for even more alternates from the Glyph Palette. Script also has Lining numerals as default and Old Style numerals as an OpenType alternates.
Audrey is a close relative to widely popular Cosmopolitan released earlier by Fenotype. Compared to Cosmopolitan Audrey has more geometric forms and bigger lowercase characters with larger x-height.
Designers: Emil Karl Bertell
Publisher: Fenotype
Foundry: Fenotype
Design Owner: Fenotype
MyFonts debut: Dec 1, 2018
Audrey™
is a trademark of Fenotype Typefaces.
About Fenotype
Emil Bertell has done it all. Having published his first font files at 16, he was considered to be an international free-font hero while still in his teens. He went on to attend design college, drop out, and become a well-known graphic designer and illustrator. Now one of the most successful type designers from the Nordic countries on MyFonts, the Finland-based designer said in his Creative Characters interview that he’s “had an obsession with visual culture from the beginning.” Before turning his attention to type design full-time, Emil had a very successful career as an award-winning illustrator. “Illustration became my main livelihood,” he said. “I drew painstaking pencil illustrations for magazines, advertising, stamps, etc. I often designed my own fonts for festivals and hand-drew the lettering posters; I also did a few pencil illustrations based on lettershapes, and that got out of hand, so I had to do a lot more of them.” In 2012 he finally made the switch and committed all of his time to type design. Emil first saw success with his Billboard typeface. “It became my first Rising Star on MyFonts and made me realize that I could actually make a living by designing fonts,” he said. “I realized that there’s actually a market out there that I could become a part of.” Throughout the rest of that year he began to see even more success. It began in January, when his font, Mishka, was featured in our Most Popular Fonts of 2011 list. He went on to find a way to bookend the year and was listed among the Most Popular Fonts of 2012 with his Mercury Script design. Since then, his foundry’s success has continued on with best sellers like Voyage and The Carpenter. Fans of the foundry have a lot to look forward to in the near future. Emil will continue to produce beautiful scripts (some coming soon to MyFonts!) and has plans to expand his business.
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