Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Averta PE™
by Intelligent Design























- Aa Glyphs
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Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Basic typesetting
Letter case
Numerals and scientific typesetting
Typographic variants
Reset
Averta PE Extra Thin - Glyph count:
This is a listing of all glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications.
Each basic character (“A”) is followed by Unicode variants of the same character (Á, Ä…), then OpenType variants (small caps, alternates, ligatures…). This way you can see all the variations on a single character in one place.
About this glyph
Unicode: ( )
Access this glyph
Copy-Paste:
Windows:
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HTML Entity:
Averta PE Condensed
18 fontsPer Style:
$11.05 USD
Pack of 18 styles:
$199.00 USD
Averta PE Variable font family
2 fontsPer Style:
$195.00 USD
Pack of 2 styles:
$390.00 USD
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Licensing Options
You can use this font in any of the following places. Read the full EULA text for details about each license. If you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.
Electronic Doc: for embedding in e-text products
You can use an Electronic Doc license to embed the font in an electronic publication such as an eBook, eMagazine, eNewspaper, or interactive PDF.
An Electronic Doc license is based on the number of publications in which the font is used. Each issue counts as a separate publication. Regional or format variations don't count as separate publications.
Updated versions of publications that are free to previous customers do not need a new license; otherwise, each new version that is released counts as a separate publication.
For font usage in graphic images shown as the ePub cover, consider a Desktop license instead as most allow for it.
Digital Ad/Email: for use in HTML5 ads
You can use this type of license to embed fonts into digital ads, such as ads built using HTML5.
We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit may be shared with third parties who are working on your behalf to produce the ad creatives, however you are wholly responsible for it.
HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license?
There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and on advertising networks.
Digital advertisements also have different usage patterns compared to websites. Most websites generally have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month. Prices reflect this, making it much less expensive to use a Digital Ad license.
If you know the number of impressions the campaign requires, that amount can be ordered before the campaign begins. For campaigns where number impressions is unknown until the end of the campaign, you can true up at the end of each calendar month.
Webfonts: for your website
Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking it in the CSS.
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.
If the font file itself won't be embedded in the website (for example, when the font is used in a static graphic image such as a logo) you should purchase a Desktop license instead.
Most foundries on MyFonts offer their webfonts with the Annual license model. Click here to Learn more.
Desktop: for use on a desktop workstation
For the most common uses, both personal and professional, for use in desktop applications with a font menu.
For example:
- Install the font on your Mac OS X or Windows system
- Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe Photoshop, etc.
- Create and print documents, as well as static images (.jpeg, .tiff, .png)
Desktop licenses are based on the number of users of the fonts. You can change the number of users by clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's Desktop license agreement as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of locations), and products that will be sold.
Related Families
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About Averta PE Font Family
If you’ve got something to say, use Averta! Not illuminated with strings of lights, nor decorated in any way, Averta does not mince your words; the name is Greek (αβέρτα) and means to act or to speak openly, bluntly, without hiding. With Averta you will be recognised as direct and clear in a warm, appealing and friendly manner.
Designed by Kostas Bartsokas to remind us of clear geometric shapes in monolinear strokes, Averta firmly rests in the tradition of constructed grotesques from the first half of the twentieth century in Central Europe. Open apertures and a set of alternate characters such as a two-storey ‘a’ and a double-sloped ‘g’, typically found in Anglo-American gothics, lend the typeface warmth and express an appealing personality. Its portfolio of nine weights from extra-thin to black result in an extremely versatile family.
The five middle-weights of Averta were specifically designed for improved legibility at small sizes. As a sign of true mastery of the geometric genre, this is achieved through careful refinement in those moments were bows transition into stems. On the other hand, the two lightest and the two heaviest weights are improved to assume a confident presence in headlines. What’s more, in contrast to the geometric nature of Averta’s upright styles, no compass and ruler were involved in the design of its corresponding italics, adding a slightly humanist touch and even more versatility to the family.
Where would the geometric genre be without shapeshifting full circles into smooth ovals? In order to be prepared for tight headlines or slim columns (and to avoid letterform distortions) the family range of Averta is enriched with optically enhanced Narrow and Condensed widths. To make your life easy, all of the widths and weights are available in one convenient Variable Font file. Equipped with all of these design decisions, Averta is suited for a range of applications from signage systems to visual identities and editorial design details. Needles to say that Averta comes with small caps and a whole range of figure sets, including proportional and tabular sets for old-style and lining figures respectively.
Averta is packed with extended OpenType features including alternate glyphs, small caps, fractions, case sensitive forms, contextual alternates, oldstyle and lining (proportional and tabular) numerals, small cap numerals, numerators/denominators, superiors/inferiors, and a variety of symbols. It comes in three widths, with nine weights and matching italics and supports your words in over 400 hundred languages as a multi-script typeface that unites Latin, Greek and Vietnamese alphabets as well as award-winning Cyrillic (3rd at 2017 Granshan Awards) under one roof. Localised letterforms for Bulgarian, Macedonian, Russian and Serbian Cyrillics are included to accommodate your words carefully, but precisely.
Designers: Kostas Bartsokas
Publisher: Intelligent Design
Foundry: Intelligent Design
Design Owner: Intelligent Design
MyFonts debut: Jul 22, 2015

About Intelligent Design
Kostas Bartsokas is a Greek typeface designer and typographer. During his freelance career he specialised in graphic design, illustration, web design, packaging, and animation; he finally chose to pursue his passion with typography. Kostas holds an MA in Typeface Design from the University of Reading and enjoys innovative explorations in Latin, Greek, Cyrillic, and Arabic type design. He spends his time designing original typefaces, expanding script support of existing ones, and offering consultation for designers and type foundries. He has received numerous awards including a Certificate in Typographic Excellence by TDC, Gold as well as a third place at Granshan, and Award of Excellence and Merit from Communication Arts Typography Annual. He is one proud part of Foundry5.
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