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CA Viva Las Vegas

CA Viva Las Vegas

by Cape Arcona Type Foundry
Licenses from $25.00 USD
Complete family of 8 fonts: $25.00 USD
CA Viva Las Vegas Font Family was designed by Thomas Schostok and published by Cape Arcona Type Foundry. CA Viva Las Vegas contains 8 styles and family package options.

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CA Viva Las Vegas Complete

8 fonts

Best Value!

  • CA Viva Las Vegas Day UltraLight CA Viva Las Vegas Day UltraLight

  • ABCDEabcde12345$€@& CA Viva Las Vegas Day Thin

  • ABCDEabcde12345$€@& CA Viva Las Vegas Day Light

  • CA Viva Las Vegas Day CA Viva Las Vegas Day

  • CA Viva Las Vegas Night UltraLight CA Viva Las Vegas Night UltraLight

  • ABCDEabcde12345$€@& CA Viva Las Vegas Night Thin

  • ABCDEabcde12345$€@& CA Viva Las Vegas Night Light

  • CA Viva Las Vegas Night CA Viva Las Vegas Night

Per Style:

$3.12 USD

Pack of 8 styles:

$25.00 USD

About CA Viva Las Vegas Font Family


CA Viva Las Vegas is a fine light bulb font inspired by signage of concert halls of the 70s when Elvis was playing in Las Vegas. Two different styles (NIGHT and DAY) and 4 weights (Ultra Light, Thin, Light, Regular) based on a layered system give endless design possibilities by using combinations of fonts and colors. CA Viva Las Vegas has an extensive character-set including Russian Cyrillic plus the Turkish Lira sign. It’s best used in big font sizes.

Designers: Thomas Schostok

Publisher: Cape Arcona Type Foundry

Foundry: Cape Arcona Type Foundry

Original Foundry: Cape Arcona Type Foundry

Design Owner: Cape Arcona Type Foundry

MyFonts debut: Nov 6, 2002

CA Viva Las Vegas

About Cape Arcona Type Foundry

The Cape Arcona Type Foundry is a type studio based in Essen/Germany run by Stefan Claudius and Thomas Schostok, established in 2002. In our work, we are aiming for typefaces with a non-conformist personality. Over the years, the field of business expanded from individual typeface design to custom font production, corporate and logo design and complex text-font families. This is the kind of work we love: Thinking beyond the ordinary, imagining better worlds and better fonts.

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