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Catalina
by Kimmy Design
Individual Styles from $6.00 USD
Complete family of 35 fonts: $250.00 USD
Catalina Font Family was
designed by
Kimmy Kirkwood and
published by
Kimmy Design. Catalina contains
32
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
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Catalina Clemente
-
Catalina Clemente
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Catalina Script Italic
Per Style:
$7.14 USD
Pack of 35 styles:
$250.00 USD
Catalina Avalon ALL
8 fontsPer Style:
$6.25 USD
Pack of 8 styles:
$50.00 USD
Catalina Script Italic
7 fonts-
-
Catalina Script Italic
Per Style:
$1.42 USD
Pack of 7 styles:
$10.00 USD
Catalina Clemente ALL
7 fonts-
-
Per Style:
$6.42 USD
Pack of 7 styles:
$45.00 USD
Catalina Typewriter ALL
6 fontsPer Style:
$7.50 USD
Pack of 6 styles:
$45.00 USD
Catalina Anacapa ALL
6 fontsPer Style:
$7.50 USD
Pack of 6 styles:
$45.00 USD
Catalina Extras ALL
3 fontsPer Style:
$3.33 USD
Pack of 3 styles:
$10.00 USD
Catalina Clemente
2 fonts-
Catalina Clemente
Per Style:
$5.00 USD
Pack of 2 styles:
$10.00 USD
About Catalina Font Family
Earlier this year I visited a bakery in Newport Beach, CA and fell in love with the organic design and typography of the place. Hand-drawn menus, table cards, chalkboards, and wall quotes surrounded the charming spot. It inspired me to create a new font family based on the combination of hand drawn fonts. Included in this package are 5 font families, with 2 graphic ornament fonts. Each font family contains at least a light, medium and bold.
Here is a breakdown of what's cookin' at Catalina's Bakery:
Catalina Anacapa: Tall and skinny, this font comes in 3 weights for both sans and slab serif styles. It includes contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and also includes Small Caps.
Catalina Avalon: Based off Anacapa, this sub family has a high contrasting line weight. It comes in light, regular and bold as well as an inline alternative for both sans and slab serif styles. Avalon also includes opentype features such as contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and small caps for each letter.
Catalina Clemente: In a more standard width, Clemente is one of the two sub families that can be used for paragraph text as well as headlines. It's organically geometric in style and comes in ALL CAPS and lowercase, includes upright and custom italics, and has the opentype feature giving 3 versions of each letter.
Catalina Script: A great compliment with the display sub-families, Catalina Script rounds out the package with a hand-drawn cursive flair. It includes contextual alternatives (giving 2 variations to each letter) as well as stylistic alternatives for many of the capital and lowercase letters. It has special ligatures for some letter combinations, and titling alternatives for all the capital letters.
Catalina Typewriter: The second of the paragraph text sub-families, this typewriter inspired hand-drawn font family works great as either a display or paragraph text. It has contextual alternatives with 3 versions of each letter, and comes in both upright and custom italics versions.
Catalina Extras! These two fonts go perfectly with the Catalina Family. They includes borders, frames, arrows, banners, flourishes and more. Catalina Flourish has all of it's options in a light and bold style, to use the light version type all lowercase letters, then to make something bold, used it's uppercase (or shift+) characters. For a breakdown of graphic/letter correlation, see the breakdown PDF.
All of Catalina was drawn by the same hand, using the same ink and technique. While they contrast in their type styles, they work together perfectly to create one cohesive font family.
Designers: Kimmy Kirkwood
Publisher: Kimmy Design
Foundry: Kimmy Design
Design Owner: Kimmy Design
MyFonts debut: Oct 14, 2014
Catalina
About Kimmy Design
“Kimmy Design is based out of Santa Monica, CA, but it’s as mobile as I am,” Kimmy Kirkwood says. “I love finding new inspiration and I work from Seattle, Palm Springs, Santa Monica, or wherever the next adventure takes me!” Kimmy founded her company in 2010; the same year that she graduated from college. Her first typeface, Madeleine, which is based on a logotype that she had created for a hotel in Positano, Italy, was actually a part of one of her final collegiate projects. She used it as an opportunity to teach herself about the intricacies of type design and develop the programming skills needed to create a true working font. Since then, her most successful designs have included Lunchbox and Lunchbox Slab: quirky hand-drawn typefaces that give an incredible array of customizable options and an authentically hand-crafted look. “My goal with these,” she says, “was to make them unique enough that the end product from any designer would look as if it was all made by hand.” “I love organic typefaces. Creating something that looks naturally handcrafted and letting the customers make it their own. In every hand drawn family I make I include multiple weights, styles and variations.” Kimmy uses contextual alternates in her typefaces and typically creates 3-5 variations of each letter, giving her fonts a truly hand-lettered feel. “I also usually include stylistic alternatives, which range from creating simple variations on specific letters to a unique style alternative for every character. Small Caps are a great way to give more options to designers while keeping the width and size of the font consistent. All of my font families are multilingual, and many include full Cyrillic and Greek alphabets. Whenever possible, I always include some sort of swash - either in fancy capitals, at the beginning and end of characters, or stylistic swashes.” All of these customizable options give the young designer’s families an intimate, personal feel. “Two different people could use my font and create something totally unique from one another. That’s what makes them so fun to use!”
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