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Equitan Sans

Equitan Sans

by Indian Type Foundry
Individual Styles from $39.00 USD
Complete family of 14 fonts: $350.00 USD
Equitan Sans Font Family was designed by Diana Ovezea and published by Indian Type Foundry. Equitan Sans contains 14 styles and family package options.

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About Equitan Sans Font Family


Part of the Equitan super family, Equitan Sans and Equitan Slab are ready for branding projects and packaging design. They serve up industrial-era letterforms, refreshed for a new century. Each of the seven weights has an upright and a italic variant, with 418 glyphs per font. The default numeral style in all 14 fonts are proportional oldstyle figures. Thanks to OpenType features, tabular versions are also available, as well as lining figures. Equitan Sans, with its closed apertures and arched shapes, resembles nineteenth century grotesques without becoming sterile, like so many mid-twentieth century neogrotesks. Wherever possible, counterforms are rounded, such as in b, d, p, q, 6, or 9 – even the bottom counter of the two-storey ‘g’ is round. The most recognisable character in Equitan Sans is the lowercase ‘y’, which has a straight tail instead of a diagonal one.

Designers: Diana Ovezea

Publisher: Indian Type Foundry

Foundry: Indian Type Foundry

Design Owner: Indian Type Foundry

MyFonts debut: Feb 2, 2016

Equitan Sans

About Indian Type Foundry

Founded in 2009, the Indian Type Foundry (ITF) designs and distributes fine-quality, multilingual fonts for both the Indian and global market. ITF specialises in creating and developing both custom and retail fonts. ITF has designed and licensed fonts to some of the world’s most iconic brands including Apple, Google, Samsung, Sony, Amazon and Hyundai to name just a few. Its retail library offers fonts for text and display use, in visual styles ranging from traditional to experimental. ITF currently offers over 200 retail font families across 20 writing systems. ITF’s Kohinoor font family is on permanent display at London’s Design Museum as part of the “Designer Maker User” exhibition, which recognises this work as a historic milestone in the field of graphic design.

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