Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Filia
by Up Up CreativeAbout Filia Font Family
Introducing Filia, a vintage-inspired display font with smooth curves and plenty of OpenType features. Filia is perfect for your next editorial, advertising, branding, book, or invitation project.
OpenType Features
Filia includes 900+ glyphs. Specific OpenType features include stylistic alternates, several stylistic sets with features like swashes, initial forms, multilingual support (including multiple currency symbols - for kicks I even included a Bitcoin symbol in there), and three ampersand styles. It also includes 120+ standard and discretionary ligatures that add character and interest to your typography.
The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access most of these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you have questions about this, ask me!)
Please note: there is only one file this font. That's the magic of OpenType - all of the alternates, ligatures, etc. are built right into the main .otf file!
Mail support : [email protected]
Find inspiration (and sneak peeks at my next font-in-progress) on
- Instagram: http://instagram.com/julieatupupcreative
- Facebook : https://www.facebook.com/upupcreative
- Pinterest: https://www.pinterest.com/upupcreative
- My website: http://upupcreative.com
PLEASE ENJOY! I can't wait to see what you make with Filia! Feel free to use the #upupcreative and #filiafont tags to show me what you've been up to!
Designers: Julie Green
Publisher: Up Up Creative
Foundry: Up Up Creative
Design Owner: Up Up Creative
MyFonts debut: Mar 27, 2020
About Up Up Creative
Hello! I'm Julie Green. I letter, draw, code, and design fonts (and other things) under the studio name Up Up Creative. If anyone (including me) had known that a font designer was something you could be, like, for a job, then surely we'd all have predicted this. As it was, my only real nickname growing up was Julie Twelve (as in Times 12, the font we all had to use on our papers in high school) since people said my handwriting should be a font in Word).As a designer, I got my start in college, where I studied visual communication from a social science perspective and started creating really stellar early-web websites. Nothing I made back then ever blinked or anything, but let's just say there was a lot of joy when I first discovered roll-over images.For a short time, I worked as an IT consultant and learned to program in Java, C++, and other languages. Then for a long time I went to graduate school in English, getting about halfway through my dissertation before I realized that academia was not the long-term place for me. That's when I finally put my right brain and left brain passions together, took ALLLLLLL that stuff I had learned about visual communication and rhetoric and communication and planning and pathfinding, and became a freelance graphic designer and entrepreneur. I started Up Up Creative in 2008 and have never looked back.Perhaps the coolest way I combine my creative and analytical sides is through font design. I released my first font, Bundt Cake, in 2015, and since then I've only fallen more and more in love with the process of creating useful, beautiful typefaces with robust OpenType features.My graphic design work has been featured in Martha Stewart Living, BRIDES Magazine, Apartment Therapy, Design Milk, Decor8, and elsewhere.
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