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Flamante Sans

Flamante Sans

by deFharo
Individual Styles from $8.00 USD
Complete family of 8 fonts: $56.00 USD
Flamante Sans Font Family was designed by Fernando Haro and published by deFharo. Flamante Sans contains 8 styles and family package options.

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About Flamante Sans Font Family


Flamante Sans is a group of eight corporate typographies of geometric construction, without serifs and neo-grotesque style, are fonts with an excellent readability for titles, short texts or for use in signage. The group of fonts is made up of 4 weights: Light, Book, Medium & Bold plus their respective italics. This initial development of Flamante Sans typography has been the basis for the drawing of the "Flamante family" fonts composed of 5 styles (Sans, Serif, SemiSlab, Round & Stencil) making a total of 40 fonts that are perfect corporate use, advertising or editorial titles or signage of public spaces for example. They include the Bitcoin symbol. Swiss-style fonts built on a 4 ◊ 6 building grid, formed with 144 x 119 units (Medium version), two digits taken from the fibonacci and Perrin sequences, these measures define the width and height of the vertical and horizontal antlers and the overall proportion of the font. The metrics and kerning have been carefully set up for fluent reading in paragraph texts. ================================== - OpenType Features: Standard Ligatures, Additional languages, All Alternates, Alternate Annotation Forms, Superscript, Kerning, Superiors, Capital Spacing, Localized Forms, Superior letters, Discretionary Ligatures, Subscript, Fractions, Slashed Zero, Inferiors, Extended Fractions, Scientific Inferiors, Ordinals, Denominators, Oldstyle Figures, Numerators, Historical Forms, Historical Ligatures. They include the Bitcoin symbol. - 500 glyphs. Latin Extended-A ï OTF & TTF

Designers: Fernando Haro

Publisher: deFharo

Foundry: deFharo

Design Owner: deFharo

MyFonts debut: Nov 7, 2017

Flamante Sans

About deFharo

My name is Fernando Haro, I am a freelance graphic designer and I live in Spain.I always liked the purity and expressiveness of vector design, unintentionally discovering typographic design made me find a passion.In the way I learn, I have developed different font styles, so my work is eclectic.Technically I am very interested in relating mathematical sequences with proportions, metrics and kerning and minimalism in vector drawing drives me.

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