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Inner

Inner

by Marvadesign
Individual Styles from $15.00 USD
Inner Font Family was designed by Febrie Setiawan and published by Marvadesign. Inner contains 1 styles.

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About Inner Font Family


Introducing The font named Inner is a sans-serif typeface characterized by its bold and display-friendly style. Each letter in this font is designed to be blocky and solid, with no hollow or open spaces, giving it a unique and distinctive look. The standout feature of Inner is its modern and striking design, making it ideal for headings, posters, and other design elements that require strong visual impact. The solid and robust shapes of its characters convey a sense of strength and stability. Additionally, Inner comes with complete multilingual support, allowing it to be used for a wide range of languages and characters. This makes it a versatile choice for designers who need to accommodate different languages in their projects. Overall, Inner is an attractive option for designers looking for a font with a bold, strong aesthetic, solid characters, and extensive multilingual support.

Designers: Febrie Setiawan

Publisher: Marvadesign

Foundry: Marvadesign

Design Owner: Marvadesign

MyFonts debut: May 27, 2024

Inner

About Marvadesign

Enter the world of expertly created letterforms with Marvadesign. Their dedication to innovation and attention to detail is evident in every design. The core of Our portfolio is a collection of bespoke typefaces that go beyond the ordinary. Each glyph is a testament to his meticulous design process, where proportions, curves and spacing were carefully researched to achieve a harmonious visual balance. The flexibility of their typeface design repertoire is a defining feature. From elegant serifs that exude classic sophistication to modern sans-serifs that embody a contemporary aesthetic, and custom scripts that add a touch of personality, each typeface is an intentional exploration of form and function. As a typographic designer, we navigate the intersection of tradition and innovation, honoring typographic heritage while pushing the boundaries of what is possible. The result is a portfolio that reflects a deep understanding of the craft and a passion for shaping the future of visual communications.

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