Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Object Font Family was
designed by
Arne Freytag and
published by
Fontador. Object contains
17
styles family package options.
More about this family
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- Aa Glyphs
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Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Basic typesetting
Letter case
Numerals and scientific typesetting
Typographic variants
Reset
Select style to display all glyphs:
Object Ultra Light
▲
Object Ultra Light
Object Ultra Light Oblique
Object Extra Light
Object Extra Light Oblique
Object Light
Object Light Oblique
Object Regular
Object Oblique
Object Medium
Object Medium Oblique
Object Bold
Object Bold Oblique
Object Extra Bold
Object Extra Bold Oblique
Object Black
Object Black Oblique
Object Variable
Object Ultra Light - Glyph count:
This is a listing of all glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications.
Each basic character (“A”) is followed by Unicode variants of the same character (Á, Ä…), then OpenType variants (small caps, alternates, ligatures…). This way you can see all the variations on a single character in one place.
About this glyph
Unicode: ( )
Access this glyph
Copy-Paste:
Windows:
Mac:
HTML Entity:
Object Basic
6 fontsPer Style:
$9.99 USD
Pack of 6 styles:
$59.99 USD
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1000961210
Licensing Options
You can use this font in any of the following places. Read the full EULA text for details about each license. If you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.
Electronic Doc: for embedding in e-text products
You can use an Electronic Doc license to embed the font in an electronic publication such as an eBook, eMagazine, eNewspaper, or interactive PDF.
An Electronic Doc license is based on the number of publications in which the font is used. Each issue counts as a separate publication. Regional or format variations don't count as separate publications.
Updated versions of publications that are free to previous customers do not need a new license; otherwise, each new version that is released counts as a separate publication.
For font usage in graphic images shown as the ePub cover, consider a Desktop license instead as most allow for it.
Digital Ad/Email: for use in HTML5 ads
You can use this type of license to embed fonts into digital ads, such as ads built using HTML5.
We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit may be shared with third parties who are working on your behalf to produce the ad creatives, however you are wholly responsible for it.
HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license?
There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and on advertising networks.
Digital advertisements also have different usage patterns compared to websites. Most websites generally have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month. Prices reflect this, making it much less expensive to use a Digital Ad license.
If you know the number of impressions the campaign requires, that amount can be ordered before the campaign begins. For campaigns where number impressions is unknown until the end of the campaign, you can true up at the end of each calendar month.
Webfonts: for your website
Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking it in the CSS.
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.
If the font file itself won't be embedded in the website (for example, when the font is used in a static graphic image such as a logo) you should purchase a Desktop license instead.
Most foundries on MyFonts offer their webfonts with the Annual license model. Click here to Learn more.
Desktop: for use on a desktop workstation
For the most common uses, both personal and professional, for use in desktop applications with a font menu.
For example:
- Install the font on your Mac OS X or Windows system
- Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe Photoshop, etc.
- Create and print documents, as well as static images (.jpeg, .tiff, .png)
Desktop licenses are based on the number of users of the fonts. You can change the number of users by clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's Desktop license agreement as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of locations), and products that will be sold.
Licensing Options
Related Tags
About the family
Object is a geometric sans serif especially designed for contemporary typography and comes with 8 weights from ultralight to black plus handslanted obliques. A large x-height not only creates space for smaller sizes, but also lends Object an open and generous character for print and screen. Many OpenType features including 642 ligatures, contextuel alternates, inits and stylistic set built into all cuts. The font contains 1.118 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Object is a contemporary geometric typeface, special for logotypes, brands, magazines and corporate design.
Designers: Arne Freytag
Publisher: Fontador
Foundry: Fontador
Design Owner: Fontador
MyFonts debut: Mar 6, 2019
Object
About Fontador
Fontador is a small type foundry based in Hamburg, founded by Arne Freytag.¶He was born in Hamburg in 1967. In 1995, he won a scholarship to study Graphic Design at the Kunstschule Alsterdamm art school in Hamburg. As a post graduate in 1998, he attended the Atelier National de Recherche Typographique in Paris. He has published various articles in Tipografica, étapes and the Typografische Monatsblätter. He has been working as a freelance typographic and graphic designer since 2000.¶
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