Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
TessieMoreBirds™
by Ingrimayne Type- Aa Glyphs
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Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Per Style:
$7.47 USD
Pack of 2 styles:
$14.95 USD
About TessieMoreBirds Font Family
A tessellation is a shape that can be used to completely fill the plane. Simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. Quite a few of them resemble swimming birds, but there are also some that resemble flying birds or birds in other positions. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)
Designers: Robert Schenk
Publisher: Ingrimayne Type
Foundry: Ingrimayne Type
Design Owner: Ingrimayne Type
MyFonts debut: Nov 20, 2018
About Ingrimayne Type
IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.
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