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TessiePuzzlePieces™

by Ingrimayne Type
Individual Styles from $9.00 USD
Complete family of 2 fonts: $12.00 USD
TessiePuzzlePieces Font Family was designed by Robert Schenk and published by Ingrimayne Type. TessiePuzzlePieces contains 2 styles and family package options.

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About TessiePuzzlePieces Font Family


After exploring tessellations for several years, I decided to see how many ways I could tessellate puzzle pieces. I began with a square template and used the same asymmetrical shape for all four edges. By flips or rotation each edge could be fitted in four ways. Eventually I discovered that, given this way of forming tiles, there were 15 distinct shapes that tessellate and these shapes can take a total of 96 orientations. (A note in the November 2016 issue of Mathematical Gazette has the proof for the 15 shapes.) This typeface contains those 15 shapes and 96 orientations. A pdf note here shows some of the tilings possible using only one shape in a pattern. An unlimited number of patterns are possible if shapes are mixed. There are two members of the family, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Designers: Robert Schenk

Publisher: Ingrimayne Type

Foundry: Ingrimayne Type

Design Owner: Ingrimayne Type

MyFonts debut: Nov 8, 2018

TessiePuzzlePieces™ is a trademark of Ingrimayne Type.

About Ingrimayne Type

IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.

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