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Startseite / Fonts / insigne / Ashemore Contrast
Ashemore Contrast

Ashemore Contrast

von insigne
Einzelschnitte ab $29.00 USD
Komplette Familie mit 54 Fonts: $179.00 USD
Ashemore Contrast Font Poster 1 Ashemore Contrast Font Poster 2 Ashemore Contrast Font Poster 3 Ashemore Contrast Font Poster 4 Ashemore Contrast Font Poster 5 Ashemore Contrast Font Poster 6 Ashemore Contrast Font Poster 7 Ashemore Contrast Font Poster 8 Ashemore Contrast Font Poster 9 Ashemore Contrast Font Poster 10 Ashemore Contrast Font Poster 11 Ashemore Contrast Font Poster 12 Ashemore Contrast Font Poster 13 Ashemore Contrast Font Poster 14 Ashemore Contrast Font Poster 15
Ashemore Contrast Font Familie wurde entworfen von Jeremy Dooley und herausgegeben von insigne. Ashemore Contrast enthält 54 Stile und Optionen für Familienpakete.

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Ashemore Contrast Complete Family

 54 Fonts

Bestes Angebot!

pro Font:

$3.31 USD

Paket mit 54 Fonts:

$179.00 USD

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Über die Schriftfamilie Ashemore Contrast

Are you set to elevate your design creations with a typeface that perfectly fuses Art Nouveau, Arts and Crafts, and sans serif styles? Inspired by the rich cultures of Barcelona, Spain, Germany, and Asheville, North Carolina, Ashemore Contrast is the enchanting blend your projects have been waiting for.


Boasting a sophisticated high contrast stress, Ashemore Contrast weaves elegance and refinement into your designs while maintaining the essence of Art Nouveau and Craftsman styles. The distinctive terminators of the C, G, and S characters add an exclusive touch, making this font an impeccable match for high-end coffee houses or avant-garde art galleries.


Ashemore Contrast is part of the comprehensive Ashemore family, offering weights from thin to black, along with condensed and extended options, resulting in a stunning 54-font ensemble. OpenType alternates, small caps, and an abundance of alternate characters position Ashemore Contrast as a versatile and dynamic choice for all your professional typography endeavors.


Unlock the typeface's remarkable features, including automatic ligatures and alternates, using OpenType-capable applications like Quark or the Adobe Suite. With support for over 40 languages that use the extended Latin script, Ashemore Contrast is the premier choice for multilingual publications and packaging.


Elevate your design prowess with Ashemore Contrast and delve into the exquisite union of Art Nouveau and contemporary design. Embrace the opportunity to metamorphose your projects with Ashemore Contrast and unlock the boundless potential of your creativity today!

Designer: Jeremy Dooley

Herausgeber: insigne

Foundry: insigne

Eigentümer des Designs: insigne

MyFonts Debüt: Apr 9, 2024

Ashemore Contrast

Über insigne

“Type is very much like music,” says Jeremy Dooley. “It is linear, and the notes or phrases have to fit the theme or song.” Jeremy, owner of the one-man foundry, insigne, is a self-taught type designer and a true self-made success story. His label is home to over a hundred font families, many of which have seen great success. Aviano has made our Best of the Year list not just once, but twice and has been featured in Hollywood blockbusters. You may have noticed various iterations of Aviano in Wall Street, Harry Potter, and Thor, and it was used for the branding of Robin Hood. Jeremy considers type to be the foundation of advanced visual communication. One form of communication that the Chattanooga-based designer is drawn to is branding. In 2011, Jeremy, took on the enormous project of coming up with a typeface that would communicate the tone and feeling of his hometown; a font that would effectively brand the city. In 2013, the result, Chatype, was named the official typeface of Chattanooga TN. “Every city needs a brand,” he says, “as every city needs to highlight its own distinctive offerings.” Like many designers, his creations are often the result of his interests. “I especially like seeing my typefaces in movies, on luxury packaging, and for technology companies,” he says. “These are interests of mine, and I often design fonts with those specific applications in mind. It’s very interesting to me that I frequently see fonts used in exactly the way I originally envisioned.” Since he began selling his first font on MyFonts in 2004, the man who will tell anyone who asks, “I’m not really from anywhere,” has continuously drawn inspiration from his many experiences gained from living all over the globe. Want more of Jeremy? The designer sat down with us for an in-depth interview in this issue of Creative Characters.

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