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Cooper Poster

Cooper Poster

von GroupType
Einzelschnitte ab $15.00 USD
Cooper Poster Font Familie wurde entworfen von Oswald Bruce Cooper und herausgegeben von GroupType. Cooper Poster enthält 1 Stile.

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Über die Schriftfamilie Cooper Poster


Cooper Poster was inspired by showcard lettering samples featured in the book, Commercial Art Of Show Card Lettering, published in 1945. Although named ""Western"", the design was modeled after Ozwald Cooper's 1921 original Cooper Black.

Designer: Oswald Bruce Cooper

Herausgeber: GroupType

Foundry: GroupType

Eigentümer des Designs: GroupType

MyFonts Debüt: Oct 12, 2006

Cooper Poster

Über GroupType

GroupType is a foundry specializing in period and revival typeface designs. It is a subsidiary of FontHaus. From Aquiline, a period 16th century typeface to great revivals like Carpenter, Corvinus Skyline, Cloister Initials and Metro Sans, these typefaces also have great contemporary appeal as well as important historical roots. Use as headlines or drop caps mixed with your favorite text. If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in 1930. It's just as desirable today as it was over eighty years ago; arguably more. Today, Bank Gothic is a very popular choice as a titling face for science fiction books, posters and countless television and movie titles. It is also a popular typeface for use in computer games and digital graphics. GroupType’s 2010 revival of this American classic is true to the design, the period, and Benton’s aesthetic. GroupType worked with some of the most talented and experienced type designers that were historically grounded and sensitive to this design project. Fortunately, Mr. Benton has left us a large selection of other great typefaces for insight and guidance. GroupType’s new revival includes the original three weights in regular and condensed style but also a new small cap and lowercase in each font necessary for 21st century typography.

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