Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Klik
by Fenotype
Individual Styles from $0.00 USD
Complete family of 48 fonts: $249.00 USD
Klik Font Family was
designed by
Emil Karl Bertell,
Erik Jarl Bertell,
Teo Tuominen and
published by
Fenotype. Klik contains
48
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Klik Regular Complete
16 fontsPer Style:
$9.31 USD
Pack of 16 styles:
$149.00 USD
Klik Narrow Complete
16 fontsPer Style:
$9.31 USD
Pack of 16 styles:
$149.00 USD
Klik Condensed Complete
16 fontsPer Style:
$9.31 USD
Pack of 16 styles:
$149.00 USD
About Klik Font Family
Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. OpenType features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).
Klik comes in three widths – each featuring eight weights and corresponding italics.
Designers: Emil Karl Bertell, Erik Jarl Bertell, Teo Tuominen
Publisher: Fenotype
Foundry: Fenotype
Design Owner: Fenotype
MyFonts debut: Feb 29, 2020
Klik
About Fenotype
Emil Bertell has done it all. Having published his first font files at 16, he was considered to be an international free-font hero while still in his teens. He went on to attend design college, drop out, and become a well-known graphic designer and illustrator. Now one of the most successful type designers from the Nordic countries on MyFonts, the Finland-based designer said in his Creative Characters interview that he’s “had an obsession with visual culture from the beginning.” Before turning his attention to type design full-time, Emil had a very successful career as an award-winning illustrator. “Illustration became my main livelihood,” he said. “I drew painstaking pencil illustrations for magazines, advertising, stamps, etc. I often designed my own fonts for festivals and hand-drew the lettering posters; I also did a few pencil illustrations based on lettershapes, and that got out of hand, so I had to do a lot more of them.” In 2012 he finally made the switch and committed all of his time to type design. Emil first saw success with his Billboard typeface. “It became my first Rising Star on MyFonts and made me realize that I could actually make a living by designing fonts,” he said. “I realized that there’s actually a market out there that I could become a part of.” Throughout the rest of that year he began to see even more success. It began in January, when his font, Mishka, was featured in our Most Popular Fonts of 2011 list. He went on to find a way to bookend the year and was listed among the Most Popular Fonts of 2012 with his Mercury Script design. Since then, his foundry’s success has continued on with best sellers like Voyage and The Carpenter. Fans of the foundry have a lot to look forward to in the near future. Emil will continue to produce beautiful scripts (some coming soon to MyFonts!) and has plans to expand his business.
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