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Leftfield
by Fenotype
Individual Styles from $12.00 USD
Complete family of 12 fonts: $69.00 USD
Leftfield Font Family was
designed by
Emil Karl Bertell and
published by
Fenotype. Leftfield contains
12
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Leftfield Rough Family
6 fontsPer Style:
$9.16 USD
Pack of 6 styles:
$55.00 USD
Leftfield Clean Family
6 fontsPer Style:
$9.16 USD
Pack of 6 styles:
$55.00 USD
About Leftfield Font Family
Leftfield - stylish vintage font collection.
Leftfield collection includes following:
•Leftfield Brush -a bold baseball style script with Clean and Rough version
•Leftfield Swoosh -a set of swooshes designed to go with Leftfield Brush. Clean and Rough version.
•Leftfield Sans -a sturdy all caps sans serif with Regular and Bold weight and Clean and Rough version of both
•Leftfield Serif -a sturdy all caps serif with Regular and Bold weight and Clean and Rough version of both
Leftfield Brush is a bold and strong sports team style vintage connected script. It’s great for any kind of display use from impressive logos to packaging and headlines. Brush is equipped with automatic Contextual Alternates that keep the connections smooth. In addition there is Swash, Titling and Stylistic alternates for standard characters. Try combining Leftfield Swoosh to make stunning compositions. Leftfield Sans and Serif work great as themselves, they make striking word blocks and they are designed to go with the Brush. Try Leftfield Serif in large sizes to make the best out of the subtle serif’s.
Leftfield Rough versions simulate a printed version of the font for authentic vintage look. They’re otherwise the same font but with a rugged outline and print texture inside the characters.
Leftfield has a wide language support including West European, Central European, Baltic, Turkish and Romanian character sets.
Designers: Emil Karl Bertell
Publisher: Fenotype
Foundry: Fenotype
Design Owner: Fenotype
MyFonts debut: Apr 6, 2019
Leftfield
About Fenotype
Emil Bertell has done it all. Having published his first font files at 16, he was considered to be an international free-font hero while still in his teens. He went on to attend design college, drop out, and become a well-known graphic designer and illustrator. Now one of the most successful type designers from the Nordic countries on MyFonts, the Finland-based designer said in his Creative Characters interview that he’s “had an obsession with visual culture from the beginning.” Before turning his attention to type design full-time, Emil had a very successful career as an award-winning illustrator. “Illustration became my main livelihood,” he said. “I drew painstaking pencil illustrations for magazines, advertising, stamps, etc. I often designed my own fonts for festivals and hand-drew the lettering posters; I also did a few pencil illustrations based on lettershapes, and that got out of hand, so I had to do a lot more of them.” In 2012 he finally made the switch and committed all of his time to type design. Emil first saw success with his Billboard typeface. “It became my first Rising Star on MyFonts and made me realize that I could actually make a living by designing fonts,” he said. “I realized that there’s actually a market out there that I could become a part of.” Throughout the rest of that year he began to see even more success. It began in January, when his font, Mishka, was featured in our Most Popular Fonts of 2011 list. He went on to find a way to bookend the year and was listed among the Most Popular Fonts of 2012 with his Mercury Script design. Since then, his foundry’s success has continued on with best sellers like Voyage and The Carpenter. Fans of the foundry have a lot to look forward to in the near future. Emil will continue to produce beautiful scripts (some coming soon to MyFonts!) and has plans to expand his business.
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