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Pilcrow

Pilcrow

by Indian Type Foundry
Individual Styles from $39.00 USD
Complete family of 5 fonts: $130.00 USD
Pilcrow Font Poster 1 Pilcrow Font Poster 2 Pilcrow Font Poster 3
Pilcrow Font Family was designed by Satya Rajpurohit and published by Indian Type Foundry. Pilcrow contains 5 styles and family package options.

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Pilcrow Complete

 5 fonts

Best Value!

Per Style:

$26.00 USD

Pack of 5 styles:

$130.00 USD

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About Pilcrow Font Family

Pilcrow is a Latin-script sans serif family. Its design is simple and utilitarian, similar to forms found on street and highway signs around the world – or in-use on cast-metal lettering for industrial products. The fonts are available in two versions: straight-cornered and rounded. While the normal Pilcrow fonts have sharp corners at their stroke terminals, Pilcrow Soft’s have been filed down. Pilcrow and Pilcrow Soft each include five weights: Regular through Heavy. In keeping with the design’s mechanical nature, the family does not include Italics, as Pilcrow’s style of letter fits better with typographic hierarchies using contrasting weights to define emphasis, whereas Italics use slants or a cursive stroke pattern. Pilcrow’s glyphs have square-like proportions, although most of them are narrower than perfect squares. While the typeface does have a monospaced feeling in longer passages of text, the glyphs are proportionally-spaced. Each glyph’s width increases just slightly as one goes up the family’s weight scale. A benefit of typefaces created for utilitarian purposes is that their clean and simple letterforms often increase legibility onscreen. Pilcrow is particularly suited for short texts on websites or for newsticker-scrollbars on television. Because of web 2.0-style logos that have been popular in the past decade, Pilcrow’s Soft version appears particularly suited for use in ‘tech’ applications. The Pilcrow Soft fonts have a friendlier appeal to them, contrasting with the harder look of the Pilcrow fonts’ squared-off strokes. Deep cuts, or large crotches, are a prominent feature of Pilcrow’s design. They are especially visible in the uppercase ‘A’, ‘M’, ‘N’, ‘V’ and ‘W’, as well as in the lowercase ‘v’, ‘w’, ‘y’ and the numeral ‘4’. In the bolder weights, these junctions fill in, but slight ink traps still remain visible. The counter forms of Pilcrow’s letters are very large: in the lowercase ‘a and ‘e’, for instance, which are more closed than open, the size of these negative spaces is still very apparent. The large counters achieve a more open shape in letters like ‘K’ or ‘k’, where the diagonals don’t collide with the vertical stroke. The lowercase ‘u’ is geometric, and not based on handwritten forms; instead of a full vertical stroke on its right-hand side, it has a semi-circular base. Some letters are full of ‘character’ in an almost dramatical sense – like the lowercase ‘t’, which is reminiscent of Eurostile or House Gothic, or the numerals. Because of the strong diagonal strokes in the ‘6’ and the ‘9’, there is no danger of these being confused with figures like ‘5’ or ‘8’. The typeface name comes from the ‘pilcrow’ (¶), a typographic symbol used to mark the start of a paragraph. 

Designers: Satya Rajpurohit

Publisher: Indian Type Foundry

Foundry: Indian Type Foundry

Design Owner: Indian Type Foundry

MyFonts debut: Jan 2, 2014

Pilcrow

About Indian Type Foundry

Founded in 2009, the Indian Type Foundry (ITF) designs and distributes fine-quality, multilingual fonts for both the Indian and global market. ITF specialises in creating and developing both custom and retail fonts. ITF has designed and licensed fonts to some of the world’s most iconic brands including Apple, Google, Samsung, Sony, Amazon and Hyundai to name just a few. Its retail library offers fonts for text and display use, in visual styles ranging from traditional to experimental. ITF currently offers over 200 retail font families across 20 writing systems. ITF’s Kohinoor font family is on permanent display at London’s Design Museum as part of the “Designer Maker User” exhibition, which recognises this work as a historic milestone in the field of graphic design.

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