Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Lopsickles
by Ingrimayne Type- Aa Glyphs
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Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Lopsickles-NonAlternating
12 fontsPer Style:
$1.25 USD
Pack of 12 styles:
$15.00 USD
Lopsickles-Alternating
8 fontsPer Style:
$1.87 USD
Pack of 8 styles:
$15.00 USD
About Lopsickles Font Family
Lopsickles is a family in which the letters are based on lopsided, distorted ellipses. The family has four sets of letters that are combined in six different ways, yielding six fonts. Four of these fonts (styles AB, Ad, Bc, and cd) use the OpenType feature Contextual Alternatives (calt) to alternate letter sets so that top-heavy characters alternate with bottom-heavy characters. The spacing in these fonts is designed for alternating characters and will result in overlap if the characters do not alternate. The other two styles (Ac and Bd) are spaced normally. Style Ac contains the two character sets that are top heavy and style Bd has the two character sets that are bottom heavy. The Ac and Bd fonts have italics and backslanted styles that may be useful to suggest speed.
Each of these ten fonts has an inset style designed to be used in a layer above the base font. This layering can be used to give the effect of hollow letters or to add a colored interior.
Lopsickles joins several other alternating-characters families in the IngrimayneType library including Snuggels, CloseTogether, and Caltic, but is visually very different from them. It is a strange, unusual family that will get noticed.
Designers: Robert Schenk
Publisher: Ingrimayne Type
Foundry: Ingrimayne Type
Design Owner: Ingrimayne Type
MyFonts debut: Aug 25, 2021
About Ingrimayne Type
IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.
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