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Silvestre Weygel

by Intellecta Design
Individual Styles from $20.90 USD
Silvestre Weygel Font Family was designed by Paulo W and published by Intellecta Design. Silvestre Weygel contains 1 styles.

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About Silvestre Weygel Font Family


A complete figurative alphabet was published by one Peter Flotner (ca. 1485-1546) in 1534. In Flotner’s alphabet, naked or nearly-naked figures are posed singly or disposed in pairs to form the various letters. Unlike de Grassi’s alphabet, we find only human figures here, no other animals. And unlike Tory’s illustrations, these letters seem an end in themselves, rather than the means of demonstrating a design strategy. Flotner’s alphabet was imitated by other engravers. The letters G and N are reproduced from an alphabet published by one Martin Weygel in Bavaria in 1560. Peter Flötner , c.1485-1546, German medalist and artisan, possibly Swiss by birth. He was active in decorative sculpture, wood carving, and other crafts, making medals and plaques and furnishing designs of classical motifs for silversmiths. He was in Nuremberg by 1522 and did most of his work there, although he made two trips to Italy. Flötner is now regarded as a pioneer of the German Renaissance. His Kunstbuch was published in 1549. In the Metropolitan Museum are five of his bronze plaques illustrating biblical episodes. A stylistical tip : Use this caps with SchneiderBuchDeutsch, as shown in the banners above, to create a perfect historiated layout.

Designers: Paulo W

Publisher: Intellecta Design

Foundry: Intellecta Design

Design Owner: Intellecta Design

MyFonts debut: Dec 19, 2008

Silvestre Weygel

About Intellecta Design

Intellecta Design is a Brazilian typefoundry interested in typographical research and revivals of all forms of ancient typefaces and handwriting styles. It searches historical churches, museums, antiquaries and similar institutions to develop fonts from old books and documents, and has a large collection of rare catalogues and books from XVI to XIX century to help in your studies to digitize lost fonts and non-usual handwriting script models. This kind of research is not common in Brazil. In addition, its design team also works to create new and modern typefaces for all applications. Intellecta Design claims to be the creator and owner of the largest typeface library in Latin America.

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