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Roc Grotesk
by Kostic
Individual Styles from $40.00 USD
Complete family of 45 fonts: $495.00 USD
Roc Grotesk Font Family was
designed by
Nikola Kostić and
published by
Kostic. Roc Grotesk contains
45
styles and family package options.
More about this family
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- Aa Glyphs
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Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Basic typesetting
Letter case
Numerals and scientific typesetting
Typographic variants
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Roc Grotesk Wide Family
9 fontsPer Style:
$21.00 USD
Pack of 9 styles:
$189.00 USD
Roc Grotesk Normal Family
9 fontsPer Style:
$21.00 USD
Pack of 9 styles:
$189.00 USD
Roc Grotesk Extra Wide Family
9 fontsPer Style:
$21.00 USD
Pack of 9 styles:
$189.00 USD
Roc Grotesk Condensed Family
9 fontsPer Style:
$21.00 USD
Pack of 9 styles:
$189.00 USD
Roc Grotesk Compressed Family
9 fontsPer Style:
$21.00 USD
Pack of 9 styles:
$189.00 USD
About Roc Grotesk Font Family
Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century. With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish.
Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications. Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings. The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space. That is why the contrast between Compressed Thin and Compressed Heavy style is substantial.
As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent. It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style. Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline. The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text. Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular. Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table. The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface. The single-story g and the cut-off r are accessible via the OpenType feature.
Designers: Nikola Kostić
Publisher: Kostic
Foundry: Kostic
Design Owner: Kostic
MyFonts debut: Apr 5, 2018
Roc Grotesk
About Kostic
Kostić Type Foundry is a small, independent type foundry run by the father-and-son team Zoran and Nikola Kostić. Zoran began designing fonts in 1987 out of necessity—his DTP studio required PostScript Cyrillic fonts, which were unavailable at the time. What started as a practical need soon became a lifelong passion, leading him to create numerous original typefaces, including Batke, Beograd, KosticSans, KosticSerif, Lapidary Capitals, Sketch, DesignerRound, Why Square, and Just Square (both licensed by Linotype). After closing his studio in 2004, Zoran dedicated himself to the digital preservation of medieval manuscripts from the Hilandar Monastery. To support this work, he developed complex typefaces based on Old Church Slavonic scripts, such as Hilandarski Ustav and Monah, each containing over 6,400 characters. Nikola grew up surrounded by the creative energy of his father’s DTP studio in the late '80s. After earning a master’s degree from the Faculty of Applied Arts at the University of Arts in Belgrade, he initially pursued a career in graphic design. However, in 2011, he decided to design his first commercial typeface and turned to Zoran for guidance in font production. When the font sold a license on its very first day of distribution, there was no turning back—Nikola shifted his focus entirely to type design. By 2021, Nikola had built a diverse library of typefaces, including Chiavettieri, Altivo, Roc Grotesk, and Rizado Script. As his passion for type design grew, so did his expertise. After Zoran retired in 2018, Nikola, who was already focused on design, took on the technical aspects as well, overseeing every stage of font production. His work has earned critical acclaim and prestigious design awards from some of the world’s leading typographic organizations. Kostić Type Foundry’s typefaces have reached millions of designers worldwide, appearing in everything from U.S. presidential campaign to local grocery store logos—a testament to the global impact of their craft.
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