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Albrecht Fraktur

by New Renaissance Fonts

Individual Styles from $20.00 USD

Albrecht Fraktur Font Family was designed by David Kettlewell and published by New Renaissance Fonts. Albrecht Fraktur contains 1 styles.

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Aa Glyphs
Individual Styles
Tech Specs
Licensing

Licensing Options

You can use this font in any of the following places. Read the full EULA text for details about each license. If you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.

Desktop: for use on a desktop workstation

For the most common uses, both personal and professional, for use in desktop applications with a font menu.

For example:

Install the font on your Mac OS X or Windows system
Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe Photoshop, etc.
Create and print documents, as well as static images (.jpeg, .tiff, .png)

Desktop licenses are based on the number of users of the fonts. You can change the number of users by clicking the quantity dropdown option on Buying Choices or Cart pages.

Please be sure to review the listing foundry's Desktop license agreement as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of locations), and products that will be sold.

Albrecht Fraktur Desktop EULA

Webfonts: for your website

Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking it in the CSS.

Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.

If the font file itself won't be embedded in the website (for example, when the font is used in a static graphic image such as a logo) you should purchase a Desktop license instead.

Most foundries on MyFonts offer their webfonts with the Annual license model. Click here to Learn more.

Albrecht Fraktur WebFont EULA

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About Albrecht Fraktur Font Family

In his 1538 book on measurement, Albrecht Dürer gave clear descriptions and drawings about the proportions of the letters in both Roman and 'fraktur' alphabets (from Latin 'fractura', meaning that it's broken up with lots of different angles rather than smooth curves). Here is the fraktur alphabet as a font completed for use today, with a few characters modernised and some gaps filled. Of course there are countless examples of fraktur fonts already circulating, and indeed one foundry even has another version of this particular one; but we have different approaches to some of the questions raised, we have aimed at a more even tracking (horizontal spacing), and the 260 glyphs in our version include accents and other diacritics, and the modern symbols which Dürer would surely have embraced if he had had access to the internet.

Designers: David Kettlewell

Publisher: New Renaissance Fonts

Foundry: New Renaissance Fonts

Design Owner: New Renaissance Fonts

MyFonts debut: Apr 14, 2011

Albrecht Fraktur

About New Renaissance Fonts

New Renaissance: The reclaiming of one baby that got thrown out with the bath water in today’s technological revolution – the good aspects of yesterday’s ways of doing things, how things that work well can also be beautiful and feel good, how a rich variety of different skills can illuminate one another, how the arts can achieve amazing effects on the way people behave, how musical and artistic harmony can be a model for human harmony... David Kettlewell is a harper, renaissance musicologist and conductor to illuminate his work with text and type. As his early inspirations, he quotes poring over facsimiles of Books of Hours, singing from renaissance music manuscripts, and an old and dog-eared Letraset catalogue that was his constant companion. “We're anyway surrounded by an awful lot of stuff we've written, and it doesn't take much more time to make sure that it's something you feel good looking at, and it makes the quality of life so much greater.” David’s work with digital type started with the enchanted discovery of the programme Fontographer hidden away inside the Freehand Graphic Studio, and has lately been delighted to progress to the empowering world surrounding its successor, FontLab Studio. Richard Bradley, already an established name in the world of fonts (Bradley Hand, Calligraphic Ornaments, Fine Hand, Bible Script in the Linotype, ITC and Letraset catalogues), encouraged David to publish his own work and to develop digitally Rick’s new paper designs; and so New Renaissance Fonts was formed. The emphasis is on original calligraphic and decorative fonts, firmly rooted in the Renaissance tradition of hand-measured beauty and human balance, but completely up to date for today’s needs. The initial designs are by Rick, David and others in his circle, while the creation of the digital fonts is done by David. The New Renaissance Fonts web-site gives examples of these fonts in use, as well as offering two dozen other fonts for free download as long as they’re still not quite ready for commercial release: as a complement to it, the Fontografia web-site provides stories and hints about ways of using fonts, ways of making fonts, ways of enjoying fonts.

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Albrecht Fraktur