Skip to content
Home / Fonts / Volcano Type / Coma
Coma

Coma

by Volcano Type
Individual Styles from $19.00 USD
Complete family of 3 fonts: $39.00 USD
Coma Font Family was designed by Jörg Herz, Alois Ganslmeier, Andy Jörder and published by Volcano Type. Coma contains 3 styles and family package options.

More about this family
FREE 30-DAY TRIAL of Monotype Fonts to get over 150,000 fonts from more than 1,400 type foundries. Start free trial
Start free trial

Coma Family

3 fonts

Best Value!

Per Style:

$13.00 USD

Pack of 3 styles:

$39.00 USD

About Coma Font Family


Originally designed by Alois Ganslmeier as a Billboard-Font, the Coma Font was later developed into a complete typeset with capitals and small letters, Cyrillic letters, Greek letters and Hebrew letters by Andy Jörder and Jörg Herz. The Coma Font is a massive constructed font which can be used for headlines. When only typed in capitals it gives the impression of blocks for there are no ascenders or descenders. The font comes alive because of its massive appearance, its edgy form and the opulence impression when used line-by-line. Not without reason, the font is named “dick und eckig”.

Designers: Jörg Herz, Alois Ganslmeier, Andy Jörder

Publisher: Volcano Type

Foundry: Volcano Type

Design Owner: Volcano Type

MyFonts debut: Jul 16, 2010

Coma

About Volcano Type

Volcano Type is a independent font foundry based in Karlsruhe, Germany. The first course: a fast food youthfulness that was served for the first time in 1996. An earthy dish, created by chance, with thirteen organic fonts. Quickly whisked up and devoured. It rarely took more than a few days from sketch to use/digestion by the project. Uncouth forms, erupted from the bowels of the earth. Shattered letters, branded, stressed, humiliated. In order to produce arrogant fonts, far too expressive to last on a page of copy text. Quite indisputably from nature. Still roughly hewn. Raw. Imperfect. The second course formed a strong contrast: tight concept, linear work, disciplined preparation. In most cases the font was formed by a matrix. Digital cool, sober, reduced. Plenty of free scope, like chess: the board is always the same, the moves always different. Classic openings are followed by unfamiliar variants. Competitive games. Finely nuanced movements. Carefully thought out, one masterminded brainchild after another. Dessert: mathematical severity is rounded off and smoothed down. Fonts between digital and analogue. Straightened rivers - the surfaces of our times.

Read more

Read less