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During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon... Read More

The Akko™ typeface family is the first new design from Akira Kobayashi in a very long time - and it is well worth the wait. Early in his career, Kobayashi drew original typefaces for the likes of Adobe, ITC, FontFont, Linotype and TypeBox. In the spring of 2001 he joined Linotype as type director and for the next several years collaborated with Adrian Frutiger and Hermann Zapf in the... Read More

Inspiration for the Daytona™ typeface family came from a desire to provide the best fonts for use in televised sporting events. Jim Wasco drew the design as sturdy squared letters based on humanist shapes and proportions. Letters were designed with legibility in mind, kept narrow for economy of space, and inter-character spacing was established for easy reading. Daytona’s soft rounded corners... Read More

The Mayberry™ Pro Light Font is a part of an extensive family of 14 OpenType fonts from Ascender Corp. Mayberry was initially designed by Steve Matteson to emulate the technical behavior of a font family called Tiresias™ for use in set top TV devices and user interfaces. Mayberry Pro Light Font is a significant improvement in aesthetics and functionality over Tiresias. Mayberry Pro Light Font... Read More

The Slate typeface family melds superb functionality and aesthetic elegance into a remarkable communications tool. Few typefaces possess the beauty and power of this design.Slate is the work of Rod McDonald, an award-winning typeface designer and lettering artist. At one point in his forty-year career, McDonald participated in a typeface legibility and readability research project conducted by... Read More

Zemestro is a straightforward design that is meant to be read. According to its designer, Dave Farey, "There's nothing calligraphic about it, and there are no defining or identifiable single characters -- it's just clean and simply constructed."Farey's goal was to create a more legible and friendlier typeface than those limited to single character and stroke widths. The face finds its... Read More