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Sachsenwald was digitized for the first time for The Wolpe Collection. An updated and subtly modified version of Berthold Wolpe’s original 1930s blackletter design, it is softer and lighter than traditional gothic typefaces. Drawn by Toshi Omagari as part of The Wolpe Collection, the reimagined design benefits from regular and light weights. Sachsenwald creates distinctive headlines and is at... Read More

Aldo Novarese, the famous Italian type designer (ITC Novarese, Eurostile, and many others), designed Nadianne. The elegant, readable Agfa Nadianne looks as good on an invitation as it does on a business letter.

Aldo Novarese, the famous Italian type designer (ITC Novarese, Eurostile, and many others), designed Nadianne. The elegant, readable Agfa Nadianne looks as good on an invitation as it does on a business letter.

Neuzeit Grotesk was originally designed by Wilhelm Pischner (1904-1989) and was released by the font foundry D. Stempel in 1928-1939. In 1970, the German Standards Committee advised the standard use of Neuzeit-Grotesk for official signage and traffic directional systems, and the abbreviation DIN was added to the name of the font. "DIN" stands for Deutsches Institut für Normung (The German... Read More

German artist Johannes Plass created the strongly crafted Linotype Atomatic in 1997. Linotype Atomatic seems to mirror the fast pace and technology of modern times, and is reminiscent of the metal lettering found on the backs of automobiles during the 1950s and 60s. The slight lean to the right gives an impression of speed and movement. Linotype Atomatic is intended exclusively for headlines in... Read More

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic,Sackers Square Gothic,Sackers Script,and Sackers Classic Roman.

FF Amman was designed in both Latin and Arabic and is one of the very few bi-script families where both the Arabic and the Latin characters were concurrently drawn from scratch by the same designer. It’s also the first typeface of its kind to contain “true Arabic italics,” instead of the much more common oblique versions often paired with the Arabic script. The unconventional family includes... Read More

Stratford Bold is a slab serif with sloping serifs on the ascending terminals of b, d, h, k and l.

The Yearbook font family contains Yearbook Filler, Yearbook Outline, and Yearbook Solid. Yearbook evokes traditional Slab-Serif lettering used by high school and college teams; the first two of these faces are designed to be superimposed.

Albertus Nova, by Toshi Omagari, takes the most distinctive aspects of the original Albertus design – sharp, flaring serifs modeled on letters chiseled from bronze – expands the original character set to include most Western and many Eastern European languages, in addition to Cyrillic and Greek, all across five weights ranging from thin to black. A faithful digital revival of Berthold Wolpe’s... Read More

Institut is an industrial-strength display face, with a no-nonsense feel of a research lab and audacity of a space mission control. Based on assertive geometric forms, it is suitable for a variety of on-screen and print uses. Designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan in 2013.

The spark behind the creation FF Hydra family came from observing 19th and early 20th century French poster lettering. Its designer Silvio Napoleone found that the styles of this period combined whimsical, economic, and impactful qualities. A typeface that incorporated these characteristics could be especially relevant to today’s design aesthetic. Naploeone began by sketching an extremely... Read More

In FF Mach, all curved lines have been replaced by straight ones, some of which are set at angles. This results in a rather technical appearance, and one that’s contemporary in feeling. The family has 18 styles in all: six weights in three widths. FF Mach’s first sketches were drawn in 2004, when a colleague of Dziedzic’s planned a new Polish arts and culture magazine. He asked Dziedzic for a... Read More

“Legato” is a musical term, meaning that the notes are played in a “connected” manner. This idea of connecting discrete units to enhance overall expression can be applied to the letters setting a text in precisely the same way. In designing FF Legato, Evert Bloemsma studied the extent to which the characters of the alphabet visually connect and build proper word and line images, then setting... Read More

This simplified blackletter typeface shares some geometric characteristics with a line of typefaces popular that were especially popular in Germany during the 1920s and 30s. Their forms may have originally come about after a desire to mix the classical "Fraktur" forms found in typefaces like Linotype Luthersche Fraktur or Fette Fraktur with more modern sans serif typefaces, like Basic... Read More